I said before that I couldn't really characterize William Wyler's directorial style. Now I must be getting the hang of it, because as I watched TBC, I thought of two others: Friendly Persuasion and The Westerner. They're all set in the 19th century and have protagonists who are big on peace.
Rather unusually for a western, the hero in this one, James McKay (Gregory Peck), is a ship captain -- and a fish out of water. He comes to the frontier because it's home to Patricia Terrill (Carroll Baker), his intended. Apparently, no one warned him that her wealthy father, Henry (Charles Bickford), is leading one side of a feud with the rugged Hannassey clan, led by Rufus (Burl Ives), over access to a waterhole on land owned by Julie Maragon (Jean Simmons), who's on good terms with Jim and Pat but unwilling to sell to either patriarch. Like Julie, Jim doesn't let social closeness color his judgment of the situation. But to call him neutral would be misleading; he simply seeks a third option....
Showing posts with label carroll baker. Show all posts
Showing posts with label carroll baker. Show all posts
Monday, September 18, 2017
The Big Country (1958)
Labels:
1950s,
19th century,
animals,
book,
burl ives,
carroll baker,
charles bickford,
charlton heston,
epic,
gregory peck,
jean simmons,
oscar,
revenge,
romance,
western,
william wyler
Wednesday, July 19, 2017
Baby Doll (1956)
I wasn't entirely sure I wanted to see a Tennessee Williams story about a young woman regarded as immature if not babyish. When I learned that it was controversial, I expected something along the lines of Lolita. Fortunately, I soon confirmed that the title character (Carroll Baker), who never uses her real first name, married as a virgin at 18 -- less than half the apparent age of her husband, Archie Lee Meighan (Karl Malden), but that wasn't the scandal.
The Meighans have had a deal not to do something unspecified until her upcoming 20th birthday; from his eagerness, it's not hard to guess what. Understandably, she doesn't share his eagerness, not least because he hasn't been the great businessman she was led to believe. In desperation for success, Archie secretly sabotages the industry of rival Silva Vacarro (Eli Wallach) and then tries to talk him into a merger, leaving Baby Doll to entertain him for a while. Things get mighty suggestive between her and Vacarro, tho it's not the conquest he chiefly has in mind....
The Meighans have had a deal not to do something unspecified until her upcoming 20th birthday; from his eagerness, it's not hard to guess what. Understandably, she doesn't share his eagerness, not least because he hasn't been the great businessman she was led to believe. In desperation for success, Archie secretly sabotages the industry of rival Silva Vacarro (Eli Wallach) and then tries to talk him into a merger, leaving Baby Doll to entertain him for a while. Things get mighty suggestive between her and Vacarro, tho it's not the conquest he chiefly has in mind....
Labels:
1950s,
b&w,
carroll baker,
comedy,
drama,
elia kazan,
karl malden,
oscar,
play,
poverty,
racial,
teen,
tennessee williams
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