Avengers: Endgame (2019)

What kind of Marvel Cinematic Universe fan would I be if I didn't see this, of all entries, in the theater? My dad finally came back, too. The main complaint I've seen about it is that it's hard to talk about without spoiling. Well, I'll give my typical level of skirting the edge. Chances are, if you have enough interest to see Endgame, you either already saw key previous entries or won't mind learning some of what happened in them, most notably the ending of Infinity War.

I had expected most of the movie to consist of the remaining heroes seeking out and fighting Thanos for the Infinity Gauntlet so that they could undo his sudden annihilation of half the life in the universe. Actually, they don't take long to overpower him, but the gauntlet has been emptied of the Infinity Stones, and Thanos probably isn't lying when he says he destroyed them. (What, no periodic repetitions in his war on overpopulation?) For the next five years, they have no hope of reversal -- until Ant-Man returns from the Quantum Realm and reports that it offers a possibility for time travel. (Told you he had weird physics.)

Avengers: Infinity War (2018)

It's finally happened: My dad has had his fill of superhero movies, for now at least. Black Panther was only two months ago, after all. I think it's just as well that he didn't come to this one, partly because it's hard to sit through 150+ minutes without a break (I barely made it myself -- good thing the credits ran long enough to let me catch the scene afterward) and partly because he doesn't retain as much memory of prior Marvel Cinematic Universe entries as I do. This one does hark back to several.

Previously lurking in the periphery of the series was brawny alien Thanos (Josh Brolin), now all the more powerful for having acquired one of the six artifacts known as Infinity Stones. Some Guardians of the Galaxy already had the misfortune of knowing him, but only when he defeats the Asgardians at the start of this movie do any of the (ex-)Avengers learn of him. He's out for more Stones, two of them on Earth, and plans to use them to kill half the universe, not counting the many people he and his army have already killed. Thus, Earth's mightiest heroes reluctantly put aside their Civil War rift to combat him, while the Guardians respond belatedly to Asgard's distress signal. I think the only living MCU action heroes who don't play a part this time are Hawkeye and Ant-Man, off on some other business and presumably out of contact.

Thor: Ragnarok (2017)

Thor's eponymous movies always struck me as somewhat odd compared with the rest of the Marvel Cinematic Universe. He's not exactly designed for viewers to relate to, being a demigod prince from another realm. And unlike Wonder Woman, he really doesn't face any of the challenges that ordinary people typically face. This may explain why I never felt the motivation to watch his movies in a theater -- until now.

When the not-so-immortal King Odin (Anthony Hopkins) passes away, Princess Hela (Cate Blanchett), goddess of death, can finally return from a long exile, planning to expand Asgard by conquest. Thor (Chris Hemsworth) and Loki (Tom Hiddleston) together are no match for her. Complications in their retreat send Thor to Planet Sakaar, where he promptly gets enslaved (the god of thunder is surprisingly susceptible to electrical shocks) as a gladiator. If you've seen the ads, you know that that's how he meets "a friend from work" for the first time since Age of Ultron....

Rush (2013)

My idea of fun auto racing is the Mario Kart series; the real thing is even less on my radar than most sports popular in the U.S. So I was in no, eheh, rush to see a movie about it. But given Rush's awards and nominations, not to mention its place in the IMDb top 250, I decided to give it a shot.

Based largely on true events, it depicts two Formula 1 racers who were big in the 1970s. James Hunt (Chris Hemsworth) is a party animal and ladies' man. Engineering genius Niki Lauda (Daniel Brühl, convincing enough to wow the real Lauda) abandons his aristocratic Austrian business heritage and prefers not to project a congenial air; he is to be feared. By some chance, from their first race together, they form an intense personal rivalry -- but those have a way of growing to resemble friendship, especially when one of the two men has a crisis....

The Cabin in the Woods (2012)

I confess I did not really watch the Buffy the Vampire Slayer TV series, let alone the movie. Only with Firefly did I become a mild fan of Joss Whedon. It made sense for him to return to writing horror, with past comrade Drew Goddard, for a bit; in other genres, he loves to kill at least one of the heroes eventually.

If the title sounds awfully generic for horror, that's deliberate. It's no spoiler to say that this movie combines dozens of classics and not-so-classics of the genre...with The Truman Show. A secret, possibly government agency is basically making a scare-by-number horror flick featuring five young adults (the only actor among them you're likely to know is Chris Hemsworth), who thought it'd be fun to camp off the grid, unaware that they're being manipulated to engineer their deaths...at first. We see plenty of scenes at HQ, where the humans (among them Bradley Whitford and Sigourney Weaver) seem like ordinary people aside from their lack of sympathy for the victims. How could they do this? Well...

Avengers: Age of Ultron (2015)

Some of the biggest weaknesses from the mostly great The Avengers have been reduced this time around. For example, with more screen time, more character importance, and an actual use of his code name, Hawkeye doesn't get nearly so shafted (no pun intended). The climactic battle doesn't feel quite so lacking in practical progress, nor does victory come at so little cost to the heroes. I think there's more cause for tender emotions.

But I must stop a little short of calling the latest sequel equal, let alone better. In particular, it has issues of pacing. A good chunk is either too fast or too slow, as evidenced by my dad sighing next to me. I suspect that the DVD will be loaded with deleted scenes or at least descriptions of planned moments. I almost wish director Joss Whedon threw in as much as he'd wanted, but 2.5 hours makes for a pretty uncomfortable sitting already. And you probably will prefer to see it in a theater.