Rio Grande (1950)

It is by sheer accident that I have watched all of John Ford's Cavalry Trilogy in chronological order, the first two entries being Fort Apache (which I didn't review for some reason) and She Wore a Yellow Ribbon (which I remember better than I predicted). I also didn't intend to watch two Victor McLaglen movies in a row, but oh well.

In 1879, Lt Col. Kirby Yorke (John Wayne), owing largely to military obligations, has not seen his wife, Kathleen (Maureen O'Hara), or their son, Jeff (Claude Jarman, Jr.), since the Valley campaigns of 1864. Then they both show up at his Texas fort at once -- Jeff to serve as a trooper and Kathleen to try to get him out of it. This is not an ideal environment for a reunion, especially when the regiment has to defend settlers from a string of Apache raids.

She Wore a Yellow Ribbon (1949)

Ah, my first western viewing this calendar year. The timing felt right to me, since I was getting tired of foreign and indie flicks.

Shortly after Custer's Last Stand, Frontier Army Captain Brittles (John Wayne) is six days away from retirement. On screen, that can only mean that something eventful is going to happen first. Specifically, he receives orders to escort the commanding officer's wife, Abby (Mildred Natwick), and niece, Olivia (Joanne Dru), to a coach heading back east. Since several tribes are on the verge of war against the cavalry, this mission will require a larger party than usual.

The Lost Patrol (1934)

When a pre-Code movie is a remake, that can mean only one thing: The original was silent. Quite an understandable move when there's plenty of inaudible gunfire. This particular remake is more popular than the original and reportedly inspired many knockoffs, but it's had a pretty mixed reception over the decades.

If there's a moral to the story, it's "Share important information with your team before heading into danger." In the first scene, a British WWI lieutenant gets gunned down in the desert by an unseen Arabian sniper. Since he had refused to tell anyone else in his patrol where they were going or why, the remaining 11 wander. When they find an oasis with a curiously abandoned fortress, they can only hope another British patrol will reach them before the snipers get them all.

The Horse Soldiers (1959)

It had been a while since my last John Wayne picture and longer since my last John Ford picture. As you may have guessed, this gets labeled a western in part, at least on IMDb and Wikipedia. That said, it's set in Mississippi. I'm not even sure that any characters are supposed to be from out west. It just...kinda has that feel to it.

Wayne plays Col. Marlowe of the Union Army, leading a raid deep enough into Confederate territory to worry his men. That does not provide as much internal conflict as his philosophical differences with appointed surgeon Maj. Kendall (William Holden) and would-be leader Col. Secord (William Bouchey). The plot thickens when the brigade seeks hospitality from plantation mistress Hannah (Constance Towers) and slave Lukey (Althea Gibson -- yes, that one), only to find that they would gladly spy on Yankees. Wanting as few kills as possible, Marlowe opts to take both women along.

My Darling Clementine (1946)

Has it really been nearly eight months since my last western? (I'm talking full-fledged westerns, so The Force Awakens doesn't count.) And just like in that one, Walter Brennan gets cast as the main villain. I ought to get used to that.

I've seen two other films about Wyatt Earp and Doc Holliday, but they didn't include a Clementine. No, she doesn't follow the story told in the song. Her function here is as a love interest whom Doc keeps at bay, apparently due to his tuberculosis -- not for fear of her catching it, but for shame at appearing so weak. He still carries on with another woman, nicknamed Chihuahua, who actually gets more screen time. Clementine appeals to Wyatt to talk sense into Doc. Of course, this isn't really the main conflict....