The Trial of the Chicago 7 (2020)

It is somewhat fitting that this should be the first of the year's Academy Best Picture nominees that I see, because it was almost certainly the longest in development: Aaron Sorkin wrote it in 2007. We can only imagine how it would have differed if the original plan for Steven Spielberg to direct had panned out. I did detect a bit of Spielberg flavor before I knew that, but no, it's Sorkin's second turn as a screen director.

After a rather brisk intro, most of the film runs from the start of the trial to the end. For those like me who've been a little hazy, the Chicago 7 are Vietnam War protesters charged with deliberately inciting a riot at the '68 Democratic National Convention. In truth, eight men are on trial most of the time, but Bobby Seale (Yahya Abdul-Mateen II) doesn't belong there and eventually gets a mistrial declared. The others are Abbie Hoffman (Sacha Baron Cohen), Tom Hayden (Eddie Redmayne), Rennie Davis (Alex Sharp), Jerry Rubin (Jeremy Strong), David Dellinger (John Carroll Lynch), Lee Weiner (Noah Robbins), and John Froines (Daniel Flaherty). Defense counsel William Kunstler (Mark Rylance -- have a few Brits as Americans) sees an uphill battle as unrelated Judge Julius Hoffman (Frank Langella) is plainly unfair and probably senile. Several of the defendants figure it's political theater and would rather make their message heard than try to get acquitted.

Ready Player One (2018)

Despite Steven Spielberg at the helm, my dad watched the preview and decided he'd probably skip this. He enjoyed Wreck-It Ralph, but that more clearly had something for the non-gamers, if only lush animation. His decision had nothing to do with the Ernest Cline book haters' backlash that predated RPO's release. Me, I recalled that even popular books can become middling Spielberg fare, but I still wanted to give it a try in a theater.

The year is 2045. The physical place is Columbus, Ohio, shabby home to teen Wade and evil megacorporation IOI. The virtual place, where the camera goes more than half the time, is a network of simulated worlds called the OASIS. Five years ago, the main creator of the OASIS died and left a message that his unprecedented filthy riches would go to whoever found the Easter egg. Most of the searchers outside of IOI have given up, but not Wade and his online buddies. His luck starts to change when he virtually meets and crushes on the legendary "Art3mis," who drops helpful hints. It's not immediately known what game she's playing; she claims to give the highest priority to depriving IOI President Sorrento of the grand prize, but main Wade companion Aech thinks she (or he) is just using Wade to a less noble end.

Dunkirk (2017)

Wow, Christopher Nolan writes, directs, and co-produces the depiction of a real event for a change. Well, to a point. The individual characters involved are fictitious. But given his usual penchant for sci-fi and mindscrew mystery, it was bound to be unusually realistic for him. Perhaps he wants more of a shot at the next Academy Awards than he had with Inception.

Unlike any other war film I've seen, this one divides itself into three perspectives corresponding roughly to land (designated "The Mole," an architectural term I didn't know), sea, and air. On land, in the course of a week, Allied soldiers at Dunkirk are in the process of retreating, but German forces don't make it easy with all the ship bombing. At sea, in the course of a day, Captain Dawson (Mark Rylance) takes his yacht to join the rescue effort with his young adult son, along with an unexpected rash teenage assistant. They soon pick up a lone survivor of a bombed ship (Nolan mainstay Cillian Murphy), who exhibits PTSD and reeeeally doesn't want to return to Dunkirk. In the air, in the course of an hour, three members of the Royal Air Force (one of them played by Tom Hardy) face off with German fighters in the vicinity.

The BFG (2016)

Despite the esteem of Roald Dahl, Willy Wonka and the Chocolate Factory appears to be the only highly popular adaptation of his literature. All the others to my knowledge have IMDb ratings in the sixes. The BFG sadly has the lowest of all at present, and while its Rotten Tomatoes and Google user scores are better, they still lag behind other Dahl flicks. But as a rare combination of Disney and Steven Spielberg, it looked fit to appeal to me.

For a man three stories tall, the Big Friendly Giant (Mark Rylance in motion capture) does a remarkable job of not being seen as he walks the streets of London at night, distributing harvested sweet dreams -- but preteen Sophie (Ruby Barnhill), who never was one for conventions like sleeping at 3 a.m., makes eye contact. To avoid an imminent giant hunt, he whisks Sophie to his home in Giant Land and declines her pleas to return. (Good thing she hated the orphanage anyway.) Yeah, the "friendly" part has its limits, but he's still far kinder than the other nine giants we know of, who give the lie to the "big" part of his moniker. His growing friendship with Sophie strengthens his urge to stop their human hunts, even if it means enabling a giant hunt.

Bridge of Spies (2015)

You can't tell from any of my previous entries, but I'm a major Steven Spielberg fan. Maybe being named after him has biased me in his favor, but the projects that he directs and/or produces rarely disappoint me. I've seen nearly all his feature films to date, so don't expect me to review many more.

As in real life, in 1957, insurance attorney Jim Donovan (Tom Hanks) is asked to defend Soviet spy Rudolph Abel (three-time Tony winner Mark Rylance) in court. There's no getting Abel off the hook altogether, but Donovan persuades the judge to forgo a death sentence, not least because Abel could make a good bargaining chip. The opportunity for this comes before long, as two Americans become prisoners in rapid succession: a spy in the USSR and a mere student who attempted to break into East Germany for romantic reasons. Donovan once again steps up to the plate, this time in the even harder role of officially nongovernmental negotiator in Berlin. Can he get both communist governments to cooperate and trade two prisoners for one of questionable value?