I may have first known this title from a bookshelf, but what got me interested in the movie was its inclusion in AFI's 100 Years...100 Laughs at #72. Of course, I always took that list with a grain of salt; some of its entries do little to nothing for me, but that's likely to be true of anyone's 100 favorite comedies. Regardless, Jim Blandings is played by Cary Grant, who, tho previously unmentioned on this blog, has starred in 20 films that I've seen and has a fine track record in my view.
Tired of having little space for four in their New York apartment, Jim and wife Muriel (Myrna Loy) jump at the chance to move to rural Connecticut. Despite Jim's experience as an advertiser, he doesn't see through a slick pitch, and they buy a house fit to be condemned. This could be a blessing in disguise, as they now have the excuse to rebuild entirely to their specs. But that, too, is not their strong suit....
Showing posts with label myrna loy. Show all posts
Showing posts with label myrna loy. Show all posts
Tuesday, March 13, 2018
Wednesday, April 20, 2016
After the Thin Man (1936)
I remember very little from my viewing of The Thin Man (1934) years ago. I'm pretty sure it didn't do much for me. So why watch the immediate sequel? Partly as a refresher course for the iconic characters of Nick Charles (William Powell) and his wife Nora (Myrna Loy). Besides, perhaps they're an acquired taste like the alcohol Nick constantly consumes. Or for another drink analogy, perhaps my taste gets better with age.
From the looks of it, this story begins almost immediately after the events of the previous. The detective duo is receiving lots of positive attention from the media, tho Nick finds himself getting more from the riffraff types on the street. It serves to highlight the difference in background between him and aristocratic Nora. Nick would like never to take another case, but this time it's a family matter, and Nora's haughty aunt would rather call on a despised in-law than let the police handle it.
From the looks of it, this story begins almost immediately after the events of the previous. The detective duo is receiving lots of positive attention from the media, tho Nick finds himself getting more from the riffraff types on the street. It serves to highlight the difference in background between him and aristocratic Nora. Nick would like never to take another case, but this time it's a family matter, and Nora's haughty aunt would rather call on a despised in-law than let the police handle it.
Labels:
1930s,
animals,
b&w,
comedy,
dog,
james stewart,
myrna loy,
mystery,
romance,
william powell
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