I had already heard of a 1947 film noir of the same title. This Guillermo del Toro project isn't a remake so much as a second adaptation of the novel. Alas, the original is more highly rated across sites yet much harder to find. Anyway, this is the only version that was nominated for Best Picture.
In 1939, shortly after covering up a murder, Stan (Bradley Cooper) finds work that will have no one inquiring into his background: a traveling carnival's barker. There he learns how to fake being a psychic, and he and stunt-performing girlfriend Molly (Rooney Mara) eventually leave for a classier venue. He then takes an unfaithful interest in a distinguished audience member, psychologist Lilith (Cate Blanchett), and asks her for confidential information that can help him fool a rich, widowed, somewhat unhinged ex-client of hers, Ezra (Richard Jenkins). Stan does not care about Molly's discomfort with his endeavors, nor does he heed the warning of his mentors (Toni Collette and David Strathairn) that moving from mind reading to seances is dangerous -- or Lilith's warning that Ezra is.
Showing posts with label ron perlman. Show all posts
Showing posts with label ron perlman. Show all posts
Thursday, March 23, 2023
Nightmare Alley (2021)
Labels:
1930s,
1940s,
2020s,
book,
bradley cooper,
cate blanchett,
crime,
david strathairn,
drama,
guillermo del toro,
melodrama,
noir,
oscar,
r-rated,
ron perlman,
thriller,
willem dafoe
Saturday, November 26, 2016
Fantastic Beasts and Where to Find Them (2016)
Dr. Strange is a tough act to follow, and here I am following it with another major studio's massive spectacle about sorcery. But as a fan of both the Harry Potter books and the accompanying booklet of the same title, I eagerly accepted my parents' invitation to see it with them on Thanksgiving.
Given the booklet's existence as a mere fictional bestiary, this could not really be an adaptation in the same sense as the HP movies. Instead, it's about a brief adventure of wizard Newt Scamander (Eddie Redmayne) in 1926, the year before his bestiary is said to be published. Since Harry's main set of adventures takes place in the '90s, we get none of the same actors and very few familiar names -- apart from Newt, just occasional mentions of headmaster Albus Dumbledore and his fugitive former friend Gellert Grindelwald. Author J.K. Rowling did write the story, so we can still count on it for fidelity -- and indeed, it still feels like the same realm.
At this point, Newt's not doing any biology research exactly. He comes to New York City in order to look for a rare beast to acquire. Unfortunately, he brings several other magical beasts in a magical suitcase that is not as secure as needed. This garners the undesired attention of random non-wizard Jacob Kowalski (Dan Fogler) and disgraced policewitch Tina Goldstein (Katherine Waterston), the latter of whom would have Newt punished and Jacob's memory wiped immediately if not for compromising circumstances. The bigger problem comes when something publicly kills in a way that no normal animal could. Newt insists it's none of his pets, but he takes it upon himself to determine what it is and how they can stop it before the whole city knows that magic exists.
Given the booklet's existence as a mere fictional bestiary, this could not really be an adaptation in the same sense as the HP movies. Instead, it's about a brief adventure of wizard Newt Scamander (Eddie Redmayne) in 1926, the year before his bestiary is said to be published. Since Harry's main set of adventures takes place in the '90s, we get none of the same actors and very few familiar names -- apart from Newt, just occasional mentions of headmaster Albus Dumbledore and his fugitive former friend Gellert Grindelwald. Author J.K. Rowling did write the story, so we can still count on it for fidelity -- and indeed, it still feels like the same realm.
At this point, Newt's not doing any biology research exactly. He comes to New York City in order to look for a rare beast to acquire. Unfortunately, he brings several other magical beasts in a magical suitcase that is not as secure as needed. This garners the undesired attention of random non-wizard Jacob Kowalski (Dan Fogler) and disgraced policewitch Tina Goldstein (Katherine Waterston), the latter of whom would have Newt punished and Jacob's memory wiped immediately if not for compromising circumstances. The bigger problem comes when something publicly kills in a way that no normal animal could. Newt insists it's none of his pets, but he takes it upon himself to determine what it is and how they can stop it before the whole city knows that magic exists.
Monday, February 1, 2016
Quest for Fire (1981)
I chose this streaming flick next mainly for the 100 minutes it runs, since I was killing time. In retrospect, it has just enough in common with The Revenant that I should have waited. There's even a survived bear mauling, albeit not very important to the story.
Based on J.-H. Rosny aîné's most popular novel, this is one of the few movies I can name set in caveman days. The English title is pretty straightforward: A tribe who doesn't know how to make fire yet sends three men to find some. (This may be rude of me, but director Jean-Jacques Annaud never had a better reason to cast Ron Perlman, who debuted on the silver screen here.) Most of the dangers they face come from other tribes, but one woman from a more advanced village, upon getting saved from cannibals, proves helpful.
Based on J.-H. Rosny aîné's most popular novel, this is one of the few movies I can name set in caveman days. The English title is pretty straightforward: A tribe who doesn't know how to make fire yet sends three men to find some. (This may be rude of me, but director Jean-Jacques Annaud never had a better reason to cast Ron Perlman, who debuted on the silver screen here.) Most of the dangers they face come from other tribes, but one woman from a more advanced village, upon getting saved from cannibals, proves helpful.
Monday, January 4, 2016
Enemy at the Gates (2001)
Yep, my final viewing before the New Year deadline was of another war film. Set in Europe during World War II, no less. Fortunately for my sake, that's about where the similarity ends.
For one thing, EatG has a much more individual focus, specifically on real-life Soviet sniper Vasily Zaytsev (Jude Law). Commissar Danilov (Joseph Fiennes) notices his talent and writes about him in the news to increase morale on their side. It works, but the tradeoff for so much publicity -- a sticking point between the two friends -- is that the Germans know too much about Zaytsev and his whereabouts. Their own star sniper, Major Konig (Ed Harris), goes on a mission to take him down.
For one thing, EatG has a much more individual focus, specifically on real-life Soviet sniper Vasily Zaytsev (Jude Law). Commissar Danilov (Joseph Fiennes) notices his talent and writes about him in the news to increase morale on their side. It works, but the tradeoff for so much publicity -- a sticking point between the two friends -- is that the Germans know too much about Zaytsev and his whereabouts. Their own star sniper, Major Konig (Ed Harris), goes on a mission to take him down.
Labels:
2000s,
book,
ed harris,
jude law,
r-rated,
rachel weisz,
ron perlman,
true story,
ussr,
war,
wwii
Thursday, October 29, 2015
The Book of Life (2014)
No, the title has nothing to do with the biblical use of the term. In fact, it relies heavily on Mayan mythology. Since I'd forgotten that Mexico's Day of the Dead actually lasts three days, I am in no position to evaluate the authenticity of the traditions depicted herein, but that matters little in an animated comedy.
We get a story within a story as a museum tour guide (Christina Applegate) tells a group of kids -- far more rapt than their early misbehavior would portend -- one legend straight out of the allegedly comprehensive Book of Life. Set in an ambiguous post-Columbian era, it concerns two gods wagering on human love. If María (Zoe Saldana) marries Joaquin (Channing Tatum), popular son of a war hero, then Xibalba (Ron Perlman), god of the hellish Land of the Forgotten, gets to swap places with La Muerte (Kate del Castillo), goddess of the much more pleasant Land of the Remembered. If María marries Joaquin's friend Manolo (Diego Luna), an aspiring mariachi whose father pushes him to be a matador, then Xibalba has to stop intervening in the realm of the living. Both boys/men do awesome things with their divine blessings over the years, but neither has the advantage in María's heart for very long; the main change is in how they feel about each other. At no point does either god fear that she'll marry neither, though.
As you might have guessed, Xibalba is the nastier god, though not nasty enough to make an outright villain out of his champion. Due to some unfair moves on Xibalba's part, Manolo dies about halfway through the movie. But Manolo strives to return to life, not just for María's sake but to help save their hometown from the true main villain, Chakal (Dan Navarro), a bandit leader too dangerous even for Joaquin. This being the Day of the Dead, the separation between life and death is more negotiable than usual....
We get a story within a story as a museum tour guide (Christina Applegate) tells a group of kids -- far more rapt than their early misbehavior would portend -- one legend straight out of the allegedly comprehensive Book of Life. Set in an ambiguous post-Columbian era, it concerns two gods wagering on human love. If María (Zoe Saldana) marries Joaquin (Channing Tatum), popular son of a war hero, then Xibalba (Ron Perlman), god of the hellish Land of the Forgotten, gets to swap places with La Muerte (Kate del Castillo), goddess of the much more pleasant Land of the Remembered. If María marries Joaquin's friend Manolo (Diego Luna), an aspiring mariachi whose father pushes him to be a matador, then Xibalba has to stop intervening in the realm of the living. Both boys/men do awesome things with their divine blessings over the years, but neither has the advantage in María's heart for very long; the main change is in how they feel about each other. At no point does either god fear that she'll marry neither, though.
As you might have guessed, Xibalba is the nastier god, though not nasty enough to make an outright villain out of his champion. Due to some unfair moves on Xibalba's part, Manolo dies about halfway through the movie. But Manolo strives to return to life, not just for María's sake but to help save their hometown from the true main villain, Chakal (Dan Navarro), a bandit leader too dangerous even for Joaquin. This being the Day of the Dead, the separation between life and death is more negotiable than usual....
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