The series got a threequel this year, so I thought I'd finally give the original a go. Had I known that Danny Boyle was directing, I'd've braced for more grossness, but whew, there's no excrement scene herein.
Animal rights zealots release a chimp from a lab, ignoring a warning that it's "infected with rage." After the titular period, courier Jim (Cillian Murphy, younger than I'd ever seen before) awakens from a coma induced by a bicycle accident to find that the hospital and, indeed, London are almost completely abandoned. The first people he meets have the rage plague, but holdouts Selena (Naomie Harris) and Mark (Noah Huntley) rescue him. Later connections include Frank (Brendan Gleeson) and his teen daughter, Hannah (Megan Burns), who relay a report of a military outpost. It exists, but whether it's the salvation they need is another question.
Watched and Learned: My Take on Films from Whenever and Wherever
Wednesday, October 22, 2025
Saturday, October 18, 2025
The Black Cauldron (1985)
When I read Lloyd Alexander's The Book of Three, it didn't make me want to read the immediate sequel by this title. And by all accounts, the adaptation from both novels was one of the worst Disney animations. Nevertheless, I got curious to judge for myself. Besides, I wanted to break up my October viewings with something gothic yet ostensibly family-friendly.
Adolescent Taran (Grant Bardsley) longs to be a warrior but must settle for assisting old Dallben (Freddie Jones) in the care of spoiled pig Hen Wen. The job gets less boring when Hen Wen panics over a prophetic vision, readable by means of water and magic. The ancient undead Horned King (John Hurt) has learned of Hen Wen and sent minions to coerce her to reveal the location of a legendary cauldron that can reanimate his skeletal army, enabling world domination. Taran tries to take the pig where she won't be found, but it wouldn't be much of a story if he succeeded.
Adolescent Taran (Grant Bardsley) longs to be a warrior but must settle for assisting old Dallben (Freddie Jones) in the care of spoiled pig Hen Wen. The job gets less boring when Hen Wen panics over a prophetic vision, readable by means of water and magic. The ancient undead Horned King (John Hurt) has learned of Hen Wen and sent minions to coerce her to reveal the location of a legendary cauldron that can reanimate his skeletal army, enabling world domination. Taran tries to take the pig where she won't be found, but it wouldn't be much of a story if he succeeded.
Wednesday, October 15, 2025
I Am Legend (2007)
Warner Bros. packaged this DVD with The Book of Eli as a "double feature." I had never seen such a set before; the two movies are unrelated, not involving any of the same actors, the same director, or even the same production companies. They just came out a few years apart and center on a lone Black man in a post-apocalyptic America, each with someone claiming to have been guided by a mysterious, potentially divine voice toward a cause for hope. That's about where the similarity ends. IAL actually merits a horror classification.
A scientist (Emma Thompson) reengineers a virus to cure cancer. It appears to work beautifully at first but quickly mutates, killing 90% of the world's populations and turning 9% into "Darkseekers," who are like fast zombies with the appearance and light allergy of vampires. Colonel Robert Neville (Will Smith) volunteers to remain in a cut-off Manhattan as the only known uninfected human survivor, accompanied by his dog, Sam, as he hopes to find a way to give the Darkseekers his immunity before he succumbs to either them or insanity from isolation.
A scientist (Emma Thompson) reengineers a virus to cure cancer. It appears to work beautifully at first but quickly mutates, killing 90% of the world's populations and turning 9% into "Darkseekers," who are like fast zombies with the appearance and light allergy of vampires. Colonel Robert Neville (Will Smith) volunteers to remain in a cut-off Manhattan as the only known uninfected human survivor, accompanied by his dog, Sam, as he hopes to find a way to give the Darkseekers his immunity before he succumbs to either them or insanity from isolation.
Labels:
2000s,
action,
animals,
book,
dog,
drama,
dystopia,
emma thompson,
horror,
kid,
nyc,
sad,
sci-fi,
thriller,
will smith
Saturday, October 11, 2025
Perfect Blue (1997)
This was one of the last items on my Netflix queue before the disc service discontinued. Once I saw that it was replaying at a local theater, I leapt at the opportunity. In truth, I'd been putting it off before, because people warned me it was grittier than the cover made it look. But anime fans deem it a classic, and I had enjoyed director Satoshi Kon's Tokyo Godfathers, Millennium Actress, and to a lesser extent Paprika.
In her early 20s, Mima (Junk Iwao) gets tired of being in a pop trio and takes up acting instead. Her agent, Tadokoro (Shinpachi Tsuji), nabs her a role on a mystery TV series, with increasing airtime. Some fans are displeased with her career shift, and hostile messages are followed by substantial violence against people involved. The prime suspect is a freaky stalker known as "Mr. Me-Mania" (Masaaki Ōkura), but he's not the only cause of trouble in Mima's life. Under stress, she starts to imagine her pop persona as a separate, impish being out to supplant if not kill her....
In her early 20s, Mima (Junk Iwao) gets tired of being in a pop trio and takes up acting instead. Her agent, Tadokoro (Shinpachi Tsuji), nabs her a role on a mystery TV series, with increasing airtime. Some fans are displeased with her career shift, and hostile messages are followed by substantial violence against people involved. The prime suspect is a freaky stalker known as "Mr. Me-Mania" (Masaaki Ōkura), but he's not the only cause of trouble in Mima's life. Under stress, she starts to imagine her pop persona as a separate, impish being out to supplant if not kill her....
Wednesday, October 8, 2025
The Book of Eli (2010)
As I worried about not having enough creepy movies for the month, I happened to find this DVD on a giveaway shelf. Sure, the movie's not a horror or thriller, and even "sci-fi" would be a stretch despite the future setting, but it certainly depicts a world we would not prefer to the present.
Nobody says directly, but evidence suggests that the ruins across America are due to nuclear war. It must have been religious in nature, because people subsequently destroyed every Abrahamic tract they could find. After 31 years, some regret that decision, even if literacy has become as scarce as soap or fresh water. Loner Eli (Denzel Washington) has found the only copy of the KJV to his knowledge, and he believes that a voice has told him to take it westward, where it will be duly appreciated. Gang leader/de facto mayor Bill Carnegie (Gary Oldman) will stop at nothing to get his hands on it, up to and including threatening his mistress's daughter, Solara (Mila Kunis), who wants to run away with Eli.
Nobody says directly, but evidence suggests that the ruins across America are due to nuclear war. It must have been religious in nature, because people subsequently destroyed every Abrahamic tract they could find. After 31 years, some regret that decision, even if literacy has become as scarce as soap or fresh water. Loner Eli (Denzel Washington) has found the only copy of the KJV to his knowledge, and he believes that a voice has told him to take it westward, where it will be duly appreciated. Gang leader/de facto mayor Bill Carnegie (Gary Oldman) will stop at nothing to get his hands on it, up to and including threatening his mistress's daughter, Solara (Mila Kunis), who wants to run away with Eli.
Sunday, October 5, 2025
Train to Busan (2016)
This was one of the most popular recent horror movies I hadn't seen yet. I would have saved it for later in the month, but I was in something of a hurry to find a Halloween-appropriate movie, and this was the main one left on my Netflix list.
In Seoul, Seok-woo (Gong Yoo) has devoted more of himself as a fund manager than as a husband or father. He reluctantly agrees to take young daughter Su-an (Kim Su-an) to Busan so she can spend her birthday with his ex-wife. But news reports of random riots turn out to have been an understatement: Everyone who gets bitten turns just as berserk, and one such victim boards their train....
In Seoul, Seok-woo (Gong Yoo) has devoted more of himself as a fund manager than as a husband or father. He reluctantly agrees to take young daughter Su-an (Kim Su-an) to Busan so she can spend her birthday with his ex-wife. But news reports of random riots turn out to have been an understatement: Everyone who gets bitten turns just as berserk, and one such victim boards their train....
Monday, September 29, 2025
Elio (2025)
As has become all too common for Pixar, this gets mixed reviews. From what I gathered, the strongest complaints pertained to earlier plans to gay-code the 11-year-old protagonist; people either resented the change or thought it wasn't complete enough. I decided that the best approach was to forget all about the reported rough draft while watching.
We don't know how Elio Solís (Yonas Kibreab) lost his parents, but he doesn't cope well, and caretaker Aunt Olga (Zoe Saldaña) expresses so much frustration that he assumes nobody on Earth wants him. He repeatedly tries to signal for aliens to take him away -- and finally makes contact, via Olga's Air Force equipment, with the Communiverse, akin to a galactic UN. Believing that Elio leads Earth, the ETs beam him up and send a shapeshifting doppelganger back. But under the circumstances, they will not let him stay on as an ambassador unless he can talk envious warlord Grigon (Brad Garrett) into not taking over the Communiverse. Elio's best hope lies in Grigon's friendly young son, Glordon (Remy Edgerly).
We don't know how Elio Solís (Yonas Kibreab) lost his parents, but he doesn't cope well, and caretaker Aunt Olga (Zoe Saldaña) expresses so much frustration that he assumes nobody on Earth wants him. He repeatedly tries to signal for aliens to take him away -- and finally makes contact, via Olga's Air Force equipment, with the Communiverse, akin to a galactic UN. Believing that Elio leads Earth, the ETs beam him up and send a shapeshifting doppelganger back. But under the circumstances, they will not let him stay on as an ambassador unless he can talk envious warlord Grigon (Brad Garrett) into not taking over the Communiverse. Elio's best hope lies in Grigon's friendly young son, Glordon (Remy Edgerly).
Labels:
2020s,
adventure,
animation,
comedy,
disney,
drama,
family,
kid,
pixar,
sci-fi,
space,
zoe saldana
Friday, September 26, 2025
Talk to Me (2022)
Normally, I'd save a horror for next month, but Netflix, in its unfathomable wisdom, will stop streaming this one by then. I approached with trepidation, partly because I have trouble liking A24 and partly because Australia can scare me good.
In modern Adelaide, there exists a disembodied hand covered in papier-mâché and written all over (we never get a good look at the messages). If you grasp it near a lit candle and say, "Talk to me," you alone will see a usually random ghost standing before you in an instant, looking as a body might shortly after death (less tastefully than in The Sixth Sense). If you then say, "I let you in," you get possessed until someone pries the hand from you and extinguishes the flame -- as long as they're fast enough. Some ghosts are tenacious. And malevolent, for reasons unknown.
In modern Adelaide, there exists a disembodied hand covered in papier-mâché and written all over (we never get a good look at the messages). If you grasp it near a lit candle and say, "Talk to me," you alone will see a usually random ghost standing before you in an instant, looking as a body might shortly after death (less tastefully than in The Sixth Sense). If you then say, "I let you in," you get possessed until someone pries the hand from you and extinguishes the flame -- as long as they're fast enough. Some ghosts are tenacious. And malevolent, for reasons unknown.
Saturday, September 20, 2025
The Devil Wears Prada (2006)
For ages, I felt like I knew enough about this movie already. I even described an outside character as "a Devil Wears Prada type," by which I meant a harsh female boss. But when the title came up on a Disney+ list, I opted for a more informed opinion. Hey, a sequel's slated for next year.
Recent college grad Andy Sachs (Anne Hathaway) applies for a New York City job as second assistant to Miranda Priestley (Meryl Streep) before ever learning that the latter runs the Runway fashion magazine. Andy stands out with her relative disregard for fashion -- and that's why Miranda hires her: to try something new after a string of failures. It's a tough job, but Andy sticks with it and becomes more like others in the industry, which drives a wedge between her and her old friends, not least her boyfriend (Adrian Grenier).
Recent college grad Andy Sachs (Anne Hathaway) applies for a New York City job as second assistant to Miranda Priestley (Meryl Streep) before ever learning that the latter runs the Runway fashion magazine. Andy stands out with her relative disregard for fashion -- and that's why Miranda hires her: to try something new after a string of failures. It's a tough job, but Andy sticks with it and becomes more like others in the industry, which drives a wedge between her and her old friends, not least her boyfriend (Adrian Grenier).
Labels:
2000s,
bechdel,
book,
comedy,
drama,
emily blunt,
france,
meryl streep,
nyc,
oscar,
sex,
stanley tucci
Wednesday, September 17, 2025
Dick Johnson Is Dead (2020)
I chose this largely because it was the shortest movie on my Netflix list, at 89 minutes, and I got a late start that evening. But there were other good reasons to watch. For one, I hadn't seen a documentary in nearly half a year. For another, DJID sounded singular.
Seventh Day Adventist documentarian Kirsten Johnson (whom I knew best as the director of cinematography for This Film Is Not Yet Rated) believes that her father, Dick, in the early stages of dementia, is not long for this world. Her way of coping with this is to have him and a bunch of professionals fake his death by several means, stage a funeral, and depict him in heaven.
Seventh Day Adventist documentarian Kirsten Johnson (whom I knew best as the director of cinematography for This Film Is Not Yet Rated) believes that her father, Dick, in the early stages of dementia, is not long for this world. Her way of coping with this is to have him and a bunch of professionals fake his death by several means, stage a funeral, and depict him in heaven.
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