Superman vs. The Elite (2012)

I considered waiting to see another animation, but I wanted something short for the evening, and 76 minutes is hard to beat. Besides, this promised to be very different except, unlike most DC adaptations advertised to me on YouTube, in reputed quality.

As the fictitious nations of Bialya and Pokolistan go to war, Superman has his hands full until a new team of four self-styled superheroes debuts, eventually choosing the name "The Elite." Supes has reservations about them, not least because they're keen on killing already defeated foes, but that makes The Elite more widely popular than him. When he decides to turn them in, they decide to do him in. Will the Big Blue Boy Scout cross his own line?

The Invisible Man (2020)

Another Universal Monsters quasi-remake. It's so far removed from the H.G. Wells story that I decline to add "book" to the tags. The trailer, tho including part of a deleted scene, aptly conveyed its creepiness, giving me mixed feelings on whether to watch. Nonetheless, the library carried no more promising candidate for my seasonal purpose.

In the San Francisco area, Cecilia "Cee" Kass (Elisabeth Moss) narrowly escapes the estate of Adrian Griffin (Oliver Jackson-Cohen), a rich CEO and brilliant engineer but far too possessive a boyfriend. After two PTSD-ridden weeks hiding out at the house of Officer James Lanier (Aldis Hodge) and his teen daughter Sydney (Storm Reid), she learns from Adrian's attorney brother Tom (Michael Dorman) that Adrian killed himself and willed a fortune to her. Just as things start looking up for her, she gets the impression of Adrian's unseen, mostly silent presence. Friends and family think she's going from paranoid to violently insane, but, well, see the title.

Mirage (2018)

No, not a remake of the 1965 noir. I hadn't heard of this Spanish movie, whose native title is Durante la tormenta ("During the storm"), until I browsed Netflix for something chilling. OK, most sources don't count this as horror, and some don't even call it a thriller, but it certainly involves paranormal phenomena and high-running emotions.

In 2014, in her new house, thirty-something Vera watches a videotape made by a prior resident, preteen Nico, shortly before his accidental death in 1989. An extraordinary thunderstorm at both times allows them to see and hear each other. Vera warns Nico not to make a fatal mistake. Then she discovers a bunch of local changes, most distressingly that she never got together with her would-be husband, David. Nobody else remembers the other timeline, but she hopes to find out what became of Nico and somehow restore what she lost, before the three-day storm ends.

A Quiet Place Part II (2020)

From a trailer, I got the impression that this was actually a prequel. Turns out only the opening scene is a flashback to the day the blind but nearly invincible killer aliens arrived in the main family's hometown. (No, it's not just an excuse to show writer-director and former lead actor John Krasinski again.) After that, it picks up right where the predecessor left off, more than a year later.

At that point, the only known survivors are mother Evelyn (Emily Blunt) and three of her kids, but at least they have found the aliens' sonic weakness. They head out of their, y'know, quiet place to look for other live humans. The first they find is an old friend of the family, Emmett (Cillian Murphy), who has given up on the future of humanity and refuses to host them for long in his foundry shelter. When deaf daughter Regan (Millicent Simmonds) learns of an offshore active radio station, she hopes to weaponize it against the aliens. Not trusting her mother to approve, she sets out on a one-day journey alone. Evelyn persuades Emmett to go after her. The party keeps splitting without adequate protection....

The Substance (2024)

When I looked over the DVD section of my library, it occurred to me that I would soon begin my Halloween-y viewings. This appears to be the most esteemed horror of the past few years, even nominated for Academy Best Picture, so I went right for it. Not that the DVD offers much over streaming; the only extra is a one-minute "featurette" in which director Coralie Fargeat summarizes her feminist aims.

Oscar-winning former actress Elisabeth Sparkle (Demi Moore) has moved on to hosting an aerobics program, until producer Harvey (Dennis Quaid) dismisses her for turning 50. Then she gets stealthy word of an unnamed, clearly FDA-unapproved product that can make a more youthful clone of her. She goes for it, and her younger self (Margaret Qualley) gets the same job under the alias "Sue." She enjoys major success but has to keep switching her consciousness between bodies weekly, keeping the catatonic body on an IV. When she ignores the supplier's warnings, things go sideways on both sides....

Spider-Man: Brand New Day (2026)

This is the third time I've seen a Spider-Man movie at an out-of-the-way theater at a friend's invitation. As much as I've enjoyed the Tom Holland entries, the ads didn't make me eager to watch more after nearly five years. Little did I know how much others loved the trailer and, so far, the flick itself.

Peter "Spider-Man" Parker (Holland) is certainly more of a man now, living alone, albeit with no apparent job, and making short work of most New York villains. He's also becoming more of a spider, as his fused DNA asserts itself, heightening his senses, letting him shoot webs organically like the Tobey Maguire version, and making him more brutal under stress like a lesser Hulk (Mark Ruffalo), whose alter ego he visits for advice. Amid this identity crisis, he must contend with a foe (Sadie Sink) who gives other people identity crises by temporarily possessing them. The mystery mind-hopper is intent on infiltrating U.S. Department of Damage Control headquarters, which houses so many sensitive, potentially scandalous secrets that its director (Tramell Tillman) can hardly guess which is being targeted.

Supergirl (2026)

Going by reviews, I did not plan to see this, at least in a theater. But a friend had already bought tickets, and after his disappointment that I didn't join him for Joker: Folie à Deux, I opted to grin and bear it. Besides, I'd watched two seasons of the Supergirl TV series, and that's not supposed to be much better.

Very little of this movie takes place on Earth. Supergirl (Milly Alcock), 23-year-old cousin of Superman (David Corenswet), has been vacationing on planets near a red sun, which suspends Kryptonian powers and thus lets her get drunk more easily. The first halfway heroic thing we see her do is defend 13-year-old Ruthye (Eve Ridley) from thieves. Ruthye asks for help avenging her family, murdered by Brigand leader Krem (Matthias Schoenaerts). Supergirl doesn't really care until after Krem poisons her dog, Krypto, while holding the only known antitoxin sample. Even then, she wants Ruthye to step aside. Yeah, right.

Poor Things (2023)

I've wanted to see this since I caught a few clips at the Academy Awards. My desire decreased when I learned that Yorgos Lanthimos directed. Nonetheless, almost as soon as it came to Netflix, I obliged.

In 19th-century London, heavily pregnant Victoria Blessington (Emma Stone) commits suicide. Victor Frankenstein-like Dr. Godwin Baxter (Willem Dafoe) could simply revive her, but seeing little sense in bringing back a suicidal mind, he transplants her baby's brain into her head first. When he asks med student Max McCandles (Ramy Youssef) to help document the behavior of this "Bella Baxter," she can barely talk or balance, but she's learning fast. Eventually, Godwin talks Max into proposing to Bella. She accepts, but since Godwin would still require her to stay on his property all the time, she first runs off on an adventure with Europe-traveling lothario Duncan Wedderburn (Mark Ruffalo). Neither she nor Duncan knows what they're getting into.

Jurassic World (2015)

This is the first movie I ever watched after (OK, long after) checking out the Nostalgia Critic's synopsis thereof. He made it sound bad except for two great sequences, ultimately declining to recommend seeing or skipping it, but at least he put it ahead of The Lost World: Jurassic Park. What finally persuaded me? A warning that it would stop streaming on Netflix at the end of the month.

In Costa Rica, a successor to the failed zoo of revived dinosaurs has actually done rather well, but the novelty is wearing off, so the profits don't satisfy stockholders. Operations manager Claire Dearing (Bryce Dallas Howard) and CEO Simon Masrani (Irrfan Khan) give the go-ahead for the team of Dr. Henry Wu (returning BD Wong) to engineer a whole new multispecies specimen, the Indominus rex, projected to be fifty feet tall someday. I hardly need to tell you they've created a monster and not prepared adequately. The clever girl's escape kicks off a whole host of catastrophes, with other big reptiles chipping in.

Bugonia (2025)

Nobody on screen says the title. It's a Greek type of ritual sacrifice once thought to produce bees, which appear sometimes herein for an analogy. That's about the only reason I felt the need to look at the movie's Wikipedia page, because the plot's easy to remember.

Cousins Teddy (Jesse Plemons) and Don (Aidan Delbis) kidnap pharma CEO Michelle (Emma Stone) and hold her in Teddy's house. Teddy is fully convinced that she is a high-ranking alien from the Andromeda Galaxy responsible for the slow ruination of many things for humanity. He demands that Michelle arrange a meeting between him and the Andromedan emperor on the lunar eclipse, which comes four days after the kidnapping. The longer Michelle doesn't do as Teddy bids, the less inclined he is to choose civility over rage. Slightly complicating matters are periodic check-ins by deputy Casey (Stavros Halkias), Teddy's former abusive sitter.

Project Hail Mary (2026)

This has been seeing a lot of discussion in my circles, including a slight spoiler I tried to ignore. I decided not to wait for the next spoiler to see the flick in a theater. Besides, at 156 minutes, it promised a good way to fill my evening.

In the near future, scientists discover star-eating microbes that could decimate Earth's population in a few decades. These "astrophages" travel to Venus to reproduce, so it's possible to collect some for study. Only one vaguely close star, Tau Ceti, has not been dimming. The titular project sends three astronauts on a long, mostly comatose one-way trip to find and transmit answers that might save their sun. For unexplained reasons, only Ryland Grace (Ryan Gosling) lives to wake up. Fortunately, he meets a sapient alien he dubs Rocky, on a mission to deal with the same threat to another star. Their combined smarts might be just what they need.

The Bad Guys 2 (2025)

Huh, once again, I watch an entry in the series when it's newly streaming on Netflix. The two are almost tied in general reception, with possibly a slight advantage to the sequel. And I was in the mood for a cartoon.

Even if you didn't watch the first movie, you shouldn't have trouble catching up to speed or be surprised that the titular five friends -- Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Miss Tarantula (Awkwafina), Mr. Shark (Craig Robinson), and Mr. Piranha (Anthony Ramos) -- are trying to be good, but their criminal history hurts their job searches. Things get worse when someone frames them for a set of high-profile thefts. The so-called "Phantom Bandit" turns out to be three Bad Girls, who want the quintet's help to steal a rocket. Their leverage: a video that reveals the dark past of Governor Diane Foxington (Zazie Beetz). The Bad Guys reluctantly agree to "one last heist," but will they be tempted back to a life of crime?

Demolition Man (1993)

I was barely aware of this flick when it was new. Only in adulthood did I encounter people talking about it, not so much for the demolition as for the nanny state sendup. I got curious whether it had more to offer than a particular line summarizing the scenario and a curious, semi-tasteful bathroom gag.

In 1996, LAPD Det. John Spartan (Sylvester Stallone) is effective at crimefighting but destructive enough to earn the titular moniker. When his arrest of master criminal Simon Phoenix (Wesley Snipes) leads to the explosion of a building full of hostages, both men are sentenced to decades in cryopreservation. At a 2032 parole hearing, Phoenix breaks loose, discovering that this peaceful era has pushover police and he's become mysteriously knowledgeable and badass. Lt. Lenina Huxley (Sandra Bullock), a big fan of the 20th century, persuades Chief George Earle (Bob Gunton) to thaw and reinstate Spartan to take on Phoenix, but authorities worry that Spartan's just as bad.

Moonraker (1979)

More than 20 years ago, an online quiz claimed that this was the most promising James Bond flick for me, but others warned me that it was likely to annoy me. Since then, I've found that even unpopular entries can strike a chord with me. When Netflix kept suggesting this one, I finally went for it.

The title refers to a model of space shuttle, one of which gets hijacked en route from California to the UK. Agent 007 (Roger Moore) begins his case by meeting with Hugo Drax (Michael Lonsdale), shady yet publicly trusted owner of the manufacturing company. The plot Bond eventually uncovers is probably the most destructive in the history of the franchise.

Frankenstein (2025)

When I learned that I hadn't seen any of the Academy Best Picture nominees for the year, I chose the first one I could find. Ordinarily, I save arguable horror movies for October. I say "arguable" because Wikipedia characterizes it as "Gothic science fiction drama." That's fair enough.

The movie begins near the end, when 19th-century Danish sailors find a nearly dead Victor Frankenstein (Oscar Isaac) in the Arctic and try to protect him from his raging creation (Jacob Elordi). In the captain's cabin, Victor tells Captain Andersen (Lars Mikkelsen) the first half of the story. Then the creature shows up and takes the narration from there. In the small chance you don't know the gist, Victor stitched together parts from different corpses and brought the gestalt to life but didn't raise him properly, leaving him put upon by society and violently resentful.

Batman: Mask of the Phantasm (1993)

I know it hasn't been long since my last superhero movie, but this one promised to be rather different. Besides, people have long told me it's one of the best Batman animated features, if not the best ever, and I never saw it offered on Netflix when I looked. When YouTube suggested it, I couldn't resist for long.

A creepy new vigilante (masked voice by Stacy Keach) has been hunting down and killing unthemed Gotham mob bosses. Unlike Holiday in The Long Halloween, Phantasm keeps getting mistaken the superficially similar Batman (Kevin Conroy). Commissioner Jim Gordon (Bob Hastings) doesn't believe it, but City Councilman Arthur Reeves (Hart Bochner) sends the police after Batman with authorization of deadly force.

The Fantastic Four: First Steps (2025)

In the past year, for the first time, I checked out some Fantastic Four comic books. They seemed like the biggest gap in my superhero education. I didn't even know at first about their influence on the Incredibles, let alone later Marvel properties. Alas, they've had a hard time getting popular screen outings, so this reputedly middling one would have to suffice.

Four years after the four astronauts gained powers from radiation exposure, Reed "Mr. Fantastic" Richards (Pedro Pascal) and Sue "The Invisible Woman" Storm (Vanessa Kirby) are expecting their first child, Franklin. Johnny "The Human Torch" Storm (Joseph Quinn) looks forward to being an uncle, and even Ben "The Thing" Grimm (Ebon Moss-Bachrach) sees Franklin as family. Then the alien Silver Surfer (a woman for once, Julia Garner) announces that she has selected Earth for the next meal of giant Galactus (Ralph Ineson) and recommends making the most of the time people have left. The Fantastic Four travel to meet Galactus, who offers to spare Earth if he can have the secretly powerful Franklin absorb his curse of insatiable appetite. Since Galactus, like Dormammu, is too mighty to consider fighting head on, the four struggle to come up with a third option....

The Maze Runner (2014)

Yes, one more dystopia for the year. It stops streaming on Netflix January 8, and I didn't want to forget. Besides, there's some advantage to watching while my memory of a certain other is still pretty fresh.

Once a month, an initially unidentified organization sends a new amnesiac teen, along with a few supplies, to a walled-off Glade with other such teens. Part of the wall opens each dawn to reveal a mechanized labyrinth, and designated "Runners" will explore and map it, hoping to find an exit. They have to return before the wall closes at dusk, because no one has ever lasted a night in the maze without getting stung by a cyborg monster called a Griever. If it doesn't kill you outright, its venom makes you too aggressively insane to retain your welcome in the Glade.

Protagonist Thomas (Dylan O'Brien) is the latest arrival, about three years into the maze's existence, so the population is a couple dozen. Within a few days, his curiosity has him breaking the teen society's rules and succeeding where no one else has. Not everyone appreciates this, especially Gally (Will Poulter), one of the leaders, who fears how the maze will respond. Indeed, it does start doing things differently, upping the difficulty level....

Tenet (2020)

Christopher Nolan doesn't seem to have directed any unpopular features, and this was one of the more profitable of the (infamously off) year. But I haven't encountered people discussing it much, and its IMDb rating is relatively low for him, so I hesitated to watch. The 150-minute runtime didn't tempt me either. Only a Netflix notice that it would stop streaming at the end of the year prioritized it for me.

Like in Looper, the time machine hasn't been invented "yet," but its effects can already be seen. Unlike in Looper, it doesn't just send things back; it can send things backwards. Even inanimate objects behave differently that way, as by falling upward to be caught by a "dropper." The curiously unnamed protagonist (John David Washington), a CIA agent, comes across such effects on a mission and is then made privy to a still more secretive agency, Tenet (clearly named just for the palindrome), that tries to use time travel for the greater good. He and recruiter Neil (Robert Pattinson) are among a globe-hopping team out to neutralize the forces of the world's most dangerous time traveler, Russian oligarch Andrei Sator (Kenneth Branagh).

The Hunger Games (2012)

After all the post-apocalyptic horror movies I watched in October, I thought it'd be a while before I tried another dystopia. But when YouTube suggested this one to me, I thought it was a pretty big hole in my cultural education. Besides, at least the dystopia is legalistic and orderly for a change.

In the future nation of Panem, an annual televised competition has two 12- to 18-year-olds from each of 12 districts live in a rigged woodland until only one survives, with an expectation that some deaths will be at each other's hands. They're usually drafted by lottery, having greater odds of being picked the more they accept government rations, but Katniss Everdeen (Jennifer Lawrence), 16, volunteers to replace her younger sister (Willow Shields). The other "tribute" from her district is her friend Peeta Mellark (Josh Hutcherson), who has wanted to be more than a friend to her, but the rules have erased his hope. Katniss, however, does not adopt a loner attitude....