Frankenstein (2025)

When I learned that I hadn't seen any of the Academy Best Picture nominees for the year, I chose the first one I could find. Ordinarily, I save arguable horror movies for October. I say "arguable" because Wikipedia characterizes it as "Gothic science fiction drama." That's fair enough.

The movie begins near the end, when 19th-century Danish sailors find a nearly dead Victor Frankenstein (Oscar Isaac) in the Arctic and try to protect him from his raging creation (Jacob Elordi). In the captain's cabin, Victor tells Captain Andersen (Lars Mikkelsen) the first half of the story. Then the creature shows up and takes the narration from there. In the small chance you don't know the gist, Victor stitched together parts from different corpses and brought the gestalt to life but didn't raise him properly, leaving him put upon by society and violently resentful.

The Rip (2026)

I knew this was getting a middling reception from general audiences, but someone had recommended it earlier in the day. Besides, I hadn't seen Matt Damon and Ben Affleck together since Dogma in 1999. And this was the only movie left on my Netflix list that ran less than two hours.

The title is slang for confiscation. A Miami police team under Lt. Dane Dumars (Damon), including Det. Sgt. JD Byrne (Affleck), Det. Mike Ro (Steven Yeun, not to be confused with Mike Rowe), Det. Numa Baptiste (Teyana Taylor), and Det. Lolo Salazar (Catalina Sandino Mareno), searches a decrepit Hialeah house suspected of storing loads of cash for drug dealers, with only one Desi Lopez (Sasha Calle) at home. They find about $20 million, far more than they anticipated. This is not entirely good news for them, because both career criminals and cops might do almost anything for that kind of take. Dumars insists that they count the money on site (trusting any labeled amounts on stacks to save time) but not call it in, and they must prepare for a shootout. Naturally, tensions rise within the team.

Ip Man 2 (2010)

Either I watched the first Ip Man before I launched this blog, or I was too unenthused to write a review. I certainly don't remember much of it. Just know that it's an action flick about an RL grandmaster of the Wing Chun style of kung fu, often called Yip rather than Ip even on screen, perhaps best known for teaching Bruce Lee. From what I can tell, the story bears little resemblance to his actual life, and I imagine that the sequels hew no closer.

In 1950, Ip (Donnie Yen) opens a Wing Chun school in Hong Kong. He has no students until young hoodlum Wong Shun Leung (Huang Xiaoming) challenges him and the word spreads of how awesome Ip is. Alas, they develop a fierce rivalry with thugs from the Hung Ga school under Hung Chun-nam (Sammo Hung), who runs a protection racket for martial arts trainers. By the second half, the main villain appears to be dirty Superintendent Wallace (Charles Mayer), who shakes down Hung, bullies journalists who print unflattering truths, and pulls strings for British boxer Taylor "Twister" Miller (Darren Shahlavi) to take on Chinese opponents and assert ethnic superiority. You can guess who the last one will be.

Pitch Perfect (2012)

Boy, it's been more than a decade since I saw the first sequel. I don't remember when I put the predecessor on my Netflix list; I may have ignored it many times. But I was finally in the mood for a flick with a lot of decent singing, regardless of any other virtues.

After a disastrous performance at the International Championship of Collegiate A Cappella, the all-female Barden Bellas are down to Aubrey (Anna Camp) and Chloe (Brittany Snow). They can't be too picky, so the new recruits are a motley crew. Some get kicked out for intimacy with the Bellas' fiercest on-campus rivals, the all-male Treblemakers. The main internal conflict concerns Beca (Anna Kendrick), who has a habit of pushing people away but does great at mashups, which hidebound, bossy Aubrey rejects.

Batman: Mask of the Phantasm (1993)

I know it hasn't been long since my last superhero movie, but this one promised to be rather different. Besides, people have long told me it's one of the best Batman animated features, if not the best ever, and I never saw it offered on Netflix when I looked. When YouTube suggested it, I couldn't resist for long.

A creepy new vigilante (masked voice by Stacy Keach) has been hunting down and killing unthemed Gotham mob bosses. Unlike Holiday in The Long Halloween, Phantasm keeps getting mistaken the superficially similar Batman (Kevin Conroy). Commissioner Jim Gordon (Bob Hastings) doesn't believe it, but City Councilman Arthur Reeves (Hart Bochner) sends the police after Batman with authorization of deadly force.

Wake Up Dead Man: A Knives Out Mystery (2025)

Despite my mostly positive reviews of prior entries in the series, I'd been putting this one off. I'm a practicing Catholic, and Hollywood rarely depicts the Church in a kind light. Even members of other religions have reported WUDM rubbing them the wrong way -- and indeed, director Rian Johnson says he likes to make polarizing pictures that annoy much of the audience. But this one is still popular overall, and my curiosity about a cultural phenomenon won out.

During a Good Friday service in a small New York town, controversial Msgr. Jefferson Wicks (Josh Brolin) is found stabbed to death under seemingly impossible circumstances. The police chief (Mila Kunis) is inclined to arrest junior Father Jud Duplenticy (Josh O'Connor), who has a history of violence and notably locked horns with Wicks. But famed PI Benoit Blanc (Daniel Craig) thinks Jud, while no angel, doesn't act like the guilty party. He enlists Jud's help in gathering clues. The case gets freakier still come Easter....

The Fantastic Four: First Steps (2025)

In the past year, for the first time, I checked out some Fantastic Four comic books. They seemed like the biggest gap in my superhero education. I didn't even know at first about their influence on the Incredibles, let alone later Marvel properties. Alas, they've had a hard time getting popular screen outings, so this reputedly middling one would have to suffice.

Four years after the four astronauts gained powers from radiation exposure, Reed "Mr. Fantastic" Richards (Pedro Pascal) and Sue "The Invisible Woman" Storm (Vanessa Kirby) are expecting their first child, Franklin. Johnny "The Human Torch" Storm (Joseph Quinn) looks forward to being an uncle, and even Ben "The Thing" Grimm (Ebon Moss-Bachrach) sees Franklin as family. Then the alien Silver Surfer (a woman for once, Julia Garner) announces that she has selected Earth for the next meal of giant Galactus (Ralph Ineson) and recommends making the most of the time people have left. The Fantastic Four travel to meet Galactus, who offers to spare Earth if he can have the secretly powerful Franklin absorb his curse of insatiable appetite. Since Galactus, like Dormammu, is too mighty to consider fighting head on, the four struggle to come up with a third option....

Chak De! India (2007)

Never before had I watched field hockey (called just "hockey" throughout the picture), but getting the gist looked easy enough. At any rate, I chose to watch this partly because I had plenty of time to kill and partly because I can count on a sports flick to end happily. Or at worst, it's not a very important defeat.

In a Men's FIH Hockey World Cup match, Indian team captain Kabir Khan (Shah Rukh Khan) makes a shot so bad that, in conjunction with his Islamic faith, people widely assume he took a dive in Pakistan's favor. Under pressure, he resigns and even moves out of town. Seven years later, he sees the opportunity for redemption when invited to coach the women's team. Of course, he wouldn't get that chance if officials had a high opinion of the female players....

The Maze Runner (2014)

Yes, one more dystopia for the year. It stops streaming on Netflix January 8, and I didn't want to forget. Besides, there's some advantage to watching while my memory of a certain other is still pretty fresh.

Once a month, an initially unidentified organization sends a new amnesiac teen, along with a few supplies, to a walled-off Glade with other such teens. Part of the wall opens each dawn to reveal a mechanized labyrinth, and designated "Runners" will explore and map it, hoping to find an exit. They have to return before the wall closes at dusk, because no one has ever lasted a night in the maze without getting stung by a cyborg monster called a Griever. If it doesn't kill you outright, its venom makes you too aggressively insane to retain your welcome in the Glade.

Protagonist Thomas (Dylan O'Brien) is the latest arrival, about three years into the maze's existence, so the population is a couple dozen. Within a few days, his curiosity has him breaking the teen society's rules and succeeding where no one else has. Not everyone appreciates this, especially Gally (Will Poulter), one of the leaders, who fears how the maze will respond. Indeed, it does start doing things differently, upping the difficulty level....

Tenet (2020)

Christopher Nolan doesn't seem to have directed any unpopular features, and this was one of the more profitable of the (infamously off) year. But I haven't encountered people discussing it much, and its IMDb rating is relatively low for him, so I hesitated to watch. The 150-minute runtime didn't tempt me either. Only a Netflix notice that it would stop streaming at the end of the year prioritized it for me.

Like in Looper, the time machine hasn't been invented "yet," but its effects can already be seen. Unlike in Looper, it doesn't just send things back; it can send things backwards. Even inanimate objects behave differently that way, as by falling upward to be caught by a "dropper." The curiously unnamed protagonist (John David Washington), a CIA agent, comes across such effects on a mission and is then made privy to a still more secretive agency, Tenet (clearly named just for the palindrome), that tries to use time travel for the greater good. He and recruiter Neil (Robert Pattinson) are among a globe-hopping team out to neutralize the forces of the world's most dangerous time traveler, Russian oligarch Andrei Sator (Kenneth Branagh).