Snowpiercer (2013)

This stops streaming on Netflix at the end of the month, but I hadn't noticed that when I chose it. Mainly, it was about the highest-profile title left on my list. And with the current weather, it seemed appropriate.

The starting event happens only the year after the film's release, so you might think of it as alternate history now: An anti-global-warming measure goes horribly right, rendering the earth nigh uninhabitably frozen. Fortunately, businessman Wilford (Ed Harris) had the foresight to create a somehow self-sustaining train that harvests water by plowing through snow, and it houses more life than you might expect. Unfortunately, those in the rear cars are impoverished and tyrannized, with small children taken away for secret purposes. Hard to retain gratitude for lifesaving at that point. After 17 years of this, Curtis (Chris Evans) leads the biggest lower-class revolt yet, heading for the engine room to seize control. Given the length of the train, the locked doors, and the brutal guards, this will take a while, but they enlist the help of a stoned lock specialist (Song Kang-ho) and his seemingly clairvoyant daughter (Go Ah-sung).

Dolemite Is My Name (2019)

I did not know until last night that this was a biopic, nor was I familiar with the fictitious Dolemite or his actor/creator, Rudy Ray Moore. My prior knowledge of blaxploitation flicks was largely limited to the original Shaft and the genre parody Black Dynamite. If nothing else, I'd learn a few things herein.

In '70s L.A., Moore (Eddie Murphy) struggles to make a name for himself in show business, whether singing or standup. His first success comes from inspiration by street poets, telling naughty stories in rhyme over instrumental music. He develops his Dolemite persona and grows popular enough to launch the career of partner Lady Reed (Da'Vine Joy Randolph). Then he decides to star in an action comedy movie, Dolemite, which doesn't come together easily without major studio support.

Wallace & Gromit: Vengeance Most Fowl (2024)

I had enjoyed all the WaG shorts as well as The Curse of the Were-Rabbit. Alas, their only outing since (Shaun the Sheep doesn't count) had been World of Invention, a 2010 documentary miniseries that doesn't match the rest in humor, let alone adventure. Well, my parents wasted little time in inviting me to see this new addition to Netflix with them, and I wasted little time in saying yes.

In case you need a refresher on The Wrong Trousers from 1993, goofy inventor Wallace (Ben Whitehead, replacing the late Peter Sallis) and especially his mute but hypercompetent pooch, Gromit, foiled thieving penguin Feathers McGraw, who got sent to a zoo. Now Wallace has created a mechanical gnome, Norbot (Reece Shearsmith), who does well enough at gardening to make local news, gaining Feathers' attention. Thanks to both overreaching and lax policing, Feathers can hack Norbot remotely, making him build a platoon of gnomes who pretend to help the neighborhood but swipe yard implements for machine parts. The scheme is to bust Feathers out, steal the soon-to-be-exhibited Blue Diamond again, and frame Wallace.

Solo: A Star Wars Story (2018)

This has the same IMDb rating as The Last Jedi, which puts it a little below the median for the franchise. For years, if anyone in my circles talked about it, they were complaining. Since the stand-alone prequel wasn't integral to understanding the overarching story, I saw no need to tune in. Then I heard a positive review from someone I trust, so I finally gave it a try.

The film begins with Han (Alden Ehrenreich) as a young adult street thief for a harsh gang leader. He pays his way off planet with loot, but crush Qi'ra (Emilia Clarke) gets apprehended. Han joins the Imperial Navy -- where, being an orphan, he is assigned the surname Solo -- in order to learn pilot skills and use them to rescue Qi'ra. Of course, he's too unruly for a good soldier and finds the missions questionable, so that's another group to escape. For much of the plot, he's involved in a heist with fellow ex-soldier Tobias Beckett (Woody Harrelson) for Crimson Dawn, a syndicate under Dryden Vos (Paul Bettany), who just so happens to have enlisted Qi'ra. But once again, Han has more of a moral compass than he likes to let on....

A Complete Unknown (2024)

Gosh, this is the first time in more than a year that I've gone to a theater with, or even seen a feature-length movie with, any member of my family. Specifically my dad this time. If not for his suggestion, I would likely have overlooked this title.

The story begins in 1961 when "Bobby Dylan" (Timothée Chalamet) visits the Huntington's-stricken Woody Guthrie (Scoot McNairy) in the hospital, where he also meets a visiting Pete Seeger (Edward Norton). Dylan is indeed unknown at this point, but as his music gains big-name supporters such as Joan Baez (Monica Barbaro) and Johnny Cash (Boyd Holbrook), he becomes rich and famous almost overnight. This does not please him, because his fans and studio execs always want to pigeonhole him when he'd rather keep trying new things.

Sing (2016)

A notice that Netflix would stop streaming this animation at the end of the year inspired me to prioritize it. I'd been uncertain because the ad campaign didn't appeal much to me, but the decent ratings and slightly more popular sequel got me interested.

Slightly corrupt producer Buster Moon (Matthew McConaughey) is on the verge of losing his live theater after a string of flops. He decides to host a sing-off, but his elderly secretary (director Garth Jennings) accidentally overstates the prize money in the flyers. His only hope is to impress a rich, haughty retired diva (Jennifer Saunders/Jennifer Hudson in youth) with the talents of amateur finalists.

Upgrade (2018)

This has nothing to do with the Blake Crouch novel of the same title. Pity; that could make a great movie. This one is only vaguely similar in premises, but at least it promised to be similarly exciting.

A few decades from now, in an unspecified U.S. city, thugs paralyze mechanic Grey Trace (Logan Marshall-Green) from the neck down and murder his wife, Asha (Melanie Vallejo). Engineering genius Eron Keen (Harrison Gilbertson), one of Grey's customers, offers him a computer chip called STEM to let him move the rest of his body, but since STEM isn't government-approved yet, he must keep it secret and pretend to still be quadriplegic. Little does Grey know that STEM has a mind of its own and can speak (with Simon Maiden's voice) such that only he can hear. Indeed, STEM's superior mental acuteness and reflexes help him track down and take on his attackers when the police have had no luck.

Flight of the Navigator (1986)

I'd heard of this title a few times and knew it to have had a moderately warm reception. When I saw it listed on Disney+, I figured it promised to be uplifting (in more ways than one) and appealing to '80s nostalgia. And short, at 90 minutes.

In Fort Lauderdale in 1978, unaccompanied 12-year-old David (Joey Cramer) falls into a ravine. When he wakes up, eight years have passed, yet he doesn't look or sound any older. Furthermore, he subconsciously has a telepathic connection with computers. A NASA official (Howard Hesseman) soon links him to a captured ET spaceship, which must have transported him at ultra-relativistic speed to an uncharted planet, where his brain was augmented. David doesn't like being taken to a national-secret government stronghold for study, so he sneaks out to the craft -- which opens only for him. A robot in control (Paul Reubens), whom David nicknames Max, identifies him as the navigator. Max needs to copy backup records from David's brain in order to go home; in return, Max promises to drop David off where he wants. Of course, NASA wants them both back....

Divines (2016)

I selected this partly for being very different from anything I'd seen lately and partly for having a runtime of less than two hours, which has grown scarce on my Netflix list. The cover image of a girl with a bloodied face did not exactly draw me in, but it did warn me that this wouldn't be much fun.

In a Romani suburb of modern Paris, high school friends Dounia (Oulaya Amamra) and Maimouna (Déborah Lukumuena), unsatisfied with their likely career options, resort to crime. At first they merely shoplift and sell on a black market. Then they persuade irascible drug dealer Rebecca (Jisca Kalvanda) to hire them for various tasks. They enjoy the pay, but it's a dangerous business, and teens aren't known for their cautious decisionmaking....

The Wild Robot (2024)

With no home Net connection last night, I could think of no better way to pass time than by going to a movie theater. And no other showings at that time tempted me. The premises of this one didn't sound particularly creative, but the reception has been magnificent, even if I happened to have the theater to myself.

An accident in transit leaves a commercial robot, ROZZUM Unit 7134 (Lupita Nyong'o), stranded on a forested, seemingly North American island with no human residents. She studies and masters the language of the animals but still gets no takers on her offer of assistance. She prepares to signal her manufacturer, Universal Dynamics, for pickup, but then an orphaned gosling runt (Boone Storme, later Kit Connor) imprints on her, effectively assigning her to raise him until he can migrate. The gosling, eventually called Brightbill, becomes almost as much of a misfit as his widely feared "mom." But as the task requires protocol overrides, "Roz" learns to care about him as much more than an obligation, and Brightbill can't resent her for long.