The Look of Silence (2014)

Yet again, I chose a viewing based on what was about to drop off my Netflix list. It's another documentary with more talking than anything else, but at least it's on a subject I knew almost nothing about.

This is a companion piece to 2012's The Act of Killing, similarly directed by Joshua Oppenheimer (no relation) and an anonymous partner. Here we follow optometrist Adi Rukun, sometimes providing his services or hanging with his cheerful children, but mostly interviewing older Indonesians who remember the anti-communist purge of the mid-'60s, along with younger relatives. Many of the seniors had a hand in the massacre of hundreds of thousands and were never penalized for it, because they had the government's blessing then and ever since. Adi also watches an earlier video of two men who had killed his brother.

The Nice Guys (2016)

I was not planning to see this so soon after other action crime comedies. But once again, Netflix said it would stop streaming at the end of the month. (Also, my smart TV will stop including Netflix on April 17, presumably for planned obsolescence, but my Fire Stick should take care of that.)

In '77 L.A., a suspicious death leads politically active porn actress Amelia Kuttner (Margaret Qualley) to suspect that someone will try to kill her next. She hires thuggish Jackson Healy (Russell Crowe) to protect her, and he attacks drunken, semi-competent PI Holland March (Ryan Gosling) for following her to try to resolve the first death's mystery. Nevertheless, Healy talks March into a team-up when they realize there are bigger threats to counter. Who's targeting all these folks in the porn industry, and why?

Dungeons & Dragons: Honor Among Thieves (2023)

Previous movies in the franchise (who knew there was more than one other?) bombed hard, but this reboot fares a lot better among critics and general audiences. It's worth noting that a tabletop role-playing game makes for a much more flexible source material than a video game -- no preestablished heroes, for one thing. To my mind going in, it was quite a gamble.

In a high fantasy setting, bard-cum-rogue Edgin (Chris Pine) and his barbarian partner in crime, Holga (Michelle Rodriguez), escape from prison two years after their arrest for helping to steal the fabled Tablet of Reawakening, hoping to revive Edgin's wife (Georgia Landers). They discover that Forge (Hugh Grant), a comrade to whom Edgin had entrusted both the tablet and care of his 12-to-14-year-old daughter, Kira (Chloe Coleman), has betrayed them and convinced Kira that they abandoned her. They reunite with unconfident young sorcerer Simon (Justice Smith), who in turn recommends recruiting his unrequited crush, shapeshifting Doric (Sophia Lillis), to steal the tablet again, with temporary aid from obnoxiously awesome yet stuffy paladin Xenk (Regé-Jean Page). This will not be as easy as before, given Forge's defensive measures, not least Red Wizard Sofina (Daisy Head), who has a darker scheme cooking.

Brothers After War (2025)

This is the first documentary sequel I've ever seen. Brothers at War (2009) escaped my notice, but this one has a much higher IMDb rating, albeit with few votes yet. When I happened to be very close to the theater, I picked this viewing partly for a convenient start time and partly because someone I trust had endorsed it.

Director Jake Rademacher has surprisingly many literal brothers who served in Iraq and Afghanistan. Here he pays visits to them and some veteran friends, including women, to see how they're doing. (None of my sources name them all.) Some are doing quite well; others are struggling on at least one front. They all know soldiers who died either in battle or later by suicide.

The Gentlemen (2019)

Wow, Guy Ritchie. I hadn't seen anything he directed since the 2009 Sherlock Holmes. This one looked more along the lines of Snatch and Lock, Stock, and Two Smoking Barrels, and it has the third highest IMDb rating among his feature films.

Toward the beginning, PI Fletcher (a nearly unrecognizable Hugh Grant) crashes the English mansion of Raymond (Charlie Hunnam), right-hand man to expat marijuana kingpin Mickey Pearson (Matthew McConaughey), to tell almost the whole rest of the story, which Fletcher threatens to sell to a movie studio if Raymond doesn't pay him. The plot involves Pearson trying to sell his stash to billionaire Matthew Berger (Jeremy Strong) before it becomes legal in the UK, making an unlikely alliance with thug trainer "Coach" (Colin Farrell), and accidentally getting on the wrong side of mob boss "Dry Eye" (Henry Golding) and tabloid editor Big Dave (Eddie Marsan).

The Whale (2022)

Even before seeing the A24 logo, I knew that this would not be a fun feature. Having Darren Aronofsky at the helm wouldn't help. But it looked like one of the more intriguing offerings on my list, different enough from my recent viewings, and short enough (117 minutes) that I might not see fit to split it over two nights.

In modern Idaho, Charlie (Brendan Fraser) teaches online college literature courses with his camera off, because he'd rather hide his Class III obesity. In the first scene, he gets a heart attack but refuses to go to the hospital for financial reasons, even tho he can well afford it. The screen indicates each new day of the week, hinting that he really doesn't have long to live. Will he make peace with himself and his few acquaintances in time?

White Fang (2018)

This French-produced animation has more modest ratings than I usually go for, but it seemed my best bet for getting acquainted with another Jack London classic. The 1991 adaptation isn't as popular, and I wasn't likely to make time for the book. If nothing else, the Netflix cover image promised a cute puppy.

The pup lives in the 1890s Alaskan wild with his stray wolf-dog mother, until desperation drives her back to her owner, Grey Beaver (Eddie Spears), from an unspecified tribe. GB dubs the pup White Fang and raises him to lead a sled team. When the tribe's land is set to be sold out from under them because of the Klondike Gold Rush, GB sees little choice but to sell now-adult WF to shady Beauty Smith (Paul Giamatti), who makes a lot of money in dog fighting. Marshal Wheedon Scott (Nick Offerman) puts an end to that, and he and his wife (Rashida Jones), despite their fear, do right by WF. But Beauty and his thuggish comrades (Armando Riesco and Dave Boat) aren't finished with Wheedon or WF....

21 Jump Street (2012)

This stops streaming on Netflix today, hence my prioritization. All I knew going in was that it's a buddy cop action comedy based loosely on a same-name TV series -- a dramatic one, oddly enough. That didn't work well for Dragnet, but the movie and show of 21JS have the same moderately high IMDb rating. Hey, the central premise does sound ripe for laughs.

In an unspecified modern U.S. city, wimpy geek Morton Schmidt (Jonah Hill) and book-dumb jock Greg Jenko (Channing Tatum) become unlikely friends as twenty-something cops. After an abortive drug bust, they are assigned to the titular address, where Captain Dickson (Ice Cube) orders them to pose as high school students to trace the source of a dangerous new drug among the students. Since the duo don't study enough in advance, they accidentally swap aliases, so Schmidt takes an acting class and runs track while Jenko has to learn AP chemistry. This works out better than you'd think, but they have trouble coordinating with each other, and Dickson is losing what little patience he had with them.

My Octopus Teacher (2020)

My Netflix list has gotten too samey. I poked around for something short (85 minutes) and unlike what I'd seen lately. It occurred to me that not only had I not seen a documentary in months; I hadn't seen a nature documentary in years. Why not one with an intriguing title?

In 2018, naturalist Craig Foster goes diving near Cape Town and discovers a common octopus covered in shells for deception. He decides to watch her daily for a year. At first she shies away from him; then she sometimes clings to him in apparent playfulness. He is tempted to protect her from predation and starvation, despite the widely accepted rule against interference. Of course, a year is a long time for an octopus....

Snowpiercer (2013)

This stops streaming on Netflix at the end of the month, but I hadn't noticed that when I chose it. Mainly, it was about the highest-profile title left on my list. And with the current weather, it seemed appropriate.

The starting event happens only the year after the film's release, so you might think of it as alternate history now: An anti-global-warming measure goes horribly right, rendering the earth nigh uninhabitably frozen. Fortunately, businessman Wilford (Ed Harris) had the foresight to create a somehow self-sustaining train that harvests water by plowing through snow, and it houses more life than you might expect. Unfortunately, those in the rear cars are impoverished and tyrannized, with small children taken away for secret purposes. Hard to retain gratitude for lifesaving at that point. After 17 years of this, Curtis (Chris Evans) leads the biggest lower-class revolt yet, heading for the engine room to seize control. Given the length of the train, the locked doors, and the brutal guards, this will take a while, but they enlist the help of a stoned lock specialist (Song Kang-ho) and his seemingly clairvoyant daughter (Go Ah-sung).