Moana 2 (2024)

I would have seen this in a theater if only it had a better reception. Nearly everyone deems it not on the same tier as its predecessor, and some make it out to be borderline rotten. But since I enjoyed Frozen II for all its flaws, M2 looked like a fair bet for me.

Moana (Auliʻi Cravalho), now 19, retains popularity on Motunui as a successful wayfinder, but she won't rest on her laurels. A mystical message tells her to search for Motufutu, an ancestral island that storm god Nalo (Tofiga Fepulea'i) sank out of sheer spite. As soon as a human touches it, the curse will be broken and many Polynesians can unite there. Since divine hero Maui (Dwayne Johnson) isn't exactly on call, Moana sets out without him at first, albeit with a lot more company than before: Moni (Hualalai Chung), a Maui-idolizing young historian; Loto (Rose Matafeo), an enthused engineer who seems to have been born in the wrong century; and Kele (David Fane), a reluctant elderly curmudgeon who doesn't trust anyone else to keep the edible plants for the crew. Eventually, they'll go where the sentient ocean can't protect them.

Sands of Iwo Jima (1949)

OK, so I got a head start on my war movie viewing for Memorial Day. This one may have caught my attention because of John Wayne getting an Oscar nod for it when he thought his She Wore a Yellow Ribbon performance worthier. As it is, some viewers think SoIJ is great, and some think Wayne is the only great thing about it. I'm sure four years after World War II wasn't great timing for public interest either.

The story begins with some U.S. Marines arriving in New Zealand in 1943. Sgt. John Stryker (Wayne) strikes me as a typical harsh sarge, but his men deem him unusually so. Most personally hostile to him are PFC Pete Conway (John Agar), son of a colonel whom Stryker liked but who wasn't a kind father, so Conway tars Stryker by association; and PFC Al Thomas (Forrest Tucker), on whom Stryker had snitched in the past. As a former sergeant major with a drinking problem, Stryker doesn't have the cleanest record himself. Nevertheless, his overall approach gradually wins the men's admiration, starting with the Battle of Tarawa. And you can guess the climactic setting.

Swiss Family Robinson (1960)

Another family feature already, because I hadn't arranged my queue with care in that regard. Anyway, I chose this more for title recognition than any other reason, knowing only that it was a live-action Disney movie tied to a book in the Robinson Crusoe subgenre. Subsequent research told me that it takes even more license than usual for Disney, including dropping "The" from the title for some reason. Oh well. It may not help kids cheat on an English test, but at least it's pretty popular in its own right.

During the Napoleonic Wars, between the threat of pirates and a raging storm, a crew abandons a ship bound for colonial New Guinea without warning its five passengers below deck, who find out only when they become castaways. Mercifully, the nearest island, while uncharted, is quite lush, and the wrecked ship still has plenty of useful elements. Over the course of maybe months, the family contends with the forces of nature and, ultimately, the same pirates. They also face some internal conflicts, such as one on the Lord of the Flies-type question of how much effort to put into signaling for a rescue.

Hunt for the Wilderpeople (2016)

I had heard of this movie only from automated suggestions after I watched others directed by Taika Waititi. Perhaps it wasn't shown in theaters in my area. It is from New Zealand, after all, and set there. Since it's rated highly and Waititi had yet to let me down, I gave it a whirl.

Ricky (Julian Dennison), ages 12 to 13 for the story, receives foster care from farmers Bella (Rima Te Wiata) and Hector (Sam Neill) despite his history of committing misdemeanors and running away. He warms up to Bella, but grumpy "Hec" wants as little to do with him as possible. Bella unexpectedly dies (we never learn how), and child welfare services, doubting Hec's adequacy, wants to take Ricky back to juvie. He runs off into the woods, and Hec tracks him down to ensure his survival. Some unfortunate events, particularly thanks to Ricky's cluelessness, give other people the impression that Hec kidnapped Ricky. A manhunt ensues, with not-so-friendly CWS officer Paula (Rachel House) in especially hot pursuit.

Operation Petticoat (1959)

A common problem for war movies is a shortage of female characters. Maybe that's a reason I thought to check out this one, where female presence is a key plot point. Of course, the year of release wasn't promising for a good depiction thereof.

When a World War II U.S. Navy submarine, the Sea Tiger, gets blown up in a Pacific harbor before it can ever participate in battle, LCDR Sherman (an arguably too old Cary Grant) badly wants it rebuilt. He gets a mixed blessing in new LT Holden (Tony Curtis), who is highly irregular and good at stealing, generally to the undersupplied crew's benefit. Things are already pretty comedic for the barely functional sub before the real awkwardness begins, when Holden rescues five stranded U.S. Army nurses. (We're told the Sea Tiger was their only hope, but we have to ignore ships in the background.) Never mind the old sailor superstition that women on ships spell bad luck; how can Sherman hope to maintain any discipline?

Moana (2016)

I wanted my last theatrical viewing of 2016 to be a good one, and I wanted to catch this one before it left the theater (still glad my folks and I waited until the crowds had petered out). That said, I had my reservations going in, because Maui looked like an uncomplimentary caricature of Pacific Islanders. Sure, I loved Aladdin (which had two of the same directors) as a kid despite its depiction of Arabs, but Maui's a traditional demigod -- and not from the long-disbelieved Greek or Nordic myths, either. Well, Disney did recruit plenty of at least partly Polynesian actors, so maybe it's not half as politically incorrect as it could be.

Sometime before the first European arrival on the fictitious isle of Motunui, a famine begins. Local legend has it that vanished/vanquished former hero Maui (Dwayne Johnson) inadvertently brought on a spreading curse when he swiped and then lost a stone called the Heart of Te Fiti. At age 16, Moana (Auli'i Cravalho) finally fulfills her desire to sail beyond the reef against the orders of her overprotective father, Chief Tui (Temuera Morrison). The apparently sapient ocean gives her the Heart, choosing her to find Maui and accompany him on a journey to restore it to its proper place. She finds him soon enough, but talking him into a rematch against demon Te Ka takes longer.

What We Do in the Shadows (2014)

I wasn't sure I could still enjoy mockumentaries, as the last one I did was A Mighty Wind in 2003. Sacha Baron Cohen struck me as largely tasteless, and shows like The Office and Parks and Recreation turned me off in no time -- something about the combination of social awkwardness and shaky cameras, I guess. Was it them, or had I changed? Regardless, a focus on vampires promised something different.

Netflix describes the theme as three vampire housemates, but for most of the movie, four or five share the house. These five are all men who somehow wound up in Wellington, New Zealand. Don't ask me why they agreed to be filmed when they otherwise try to keep their vampirism a secret. By agreement, the cameramen carry crosses just in case, but vampires aren't the only supernatural danger to turn up....