Coyote vs. Acme (2026)

For three generations, my family has enjoyed Road Runner and Coyote shorts more than most Looney Tunes outings. It didn't take much to convince my mom, sister, and nephew to come to a theater with me. I was a little worried that a live-action setting would spell less family-friendliness, but hey, I'd seen Who Framed Roger Rabbit many times by my nephew's age.

Wile E. Coyote, mute as usual, finally decides to hire toon-focused Albuquerque human attorney Kevin Avery (Will Forte) to sue Acme for all the dangerously defective products he's used to try to catch the Road Runner (Eric Bauza, who voices most of the male toons). Kevin balks at the idea of covering lots of products in a single lawsuit, but avid intern Paige (Lana Condor) thinks it's just what the struggling firm of Avery, Jones, and Maltese (no doubt named for Tex, Chuck, and Michael) needs. Of course, a megacorporation has a tough lawyer, namely Kevin's ex-classmate Buddy Crane (John Cena). And it's not brutal only in the courtroom.

The Road to El Dorado (2000)

People hardly talked about this when it was new. Neither the trailer nor the excerpt I caught on TV tempted me. But a couple memes signal its sleeper cult hit status. I chose it partly to get references and partly to kill less than 90 minutes.

Sixteenth-century Spanish scoundrels Miguel (Kevin Kline) and Tulio (Kenneth Branagh) use loaded dice to win a map purporting to lead to the rumored city of gold. Being only so sneaky, they get clapped in the brig of a ship by Hernán Cortés himself (Jim Cummings) but escape in a rowboat with help from Altivo (Frank Welker), perhaps the smartest horse outside of Tangled. After weeks of mixed luck, they meet the remote El Doradans, who mistake them for prophesied divine visitors. A nice gig if you can get it, but you don't have to see or read The Man Who Would Be King to know how tenuous their status is....

Hamnet (2025)

Of the year's Academy Best Picture nominees I hadn't seen, this was the one I most wanted to see. I hadn't heard that Steven Spielberg and Sam Mendes were among the producers, nor that it got more Oscar nods than anything else directed by a woman. I just like Hamlet and take interest in anything related to it.

The story begins shortly before William Shakespeare (Paul Mescal), then a teacher of Latin in Stratford-upon-Avon, meets Agnes/Anne Hathaway (Jessie Buckley) while she tames a hawk in the woods. Despite disapproval from both their families, they go on to get married and have three kids. William spends little time around them, because he works far away. He'll regret not being there when his only son, Hamnet (Jacobi Jupe), is in critical condition....

Supergirl (2026)

Going by reviews, I did not plan to see this, at least in a theater. But a friend had already bought tickets, and after his disappointment that I didn't join him for Joker: Folie à Deux, I opted to grin and bear it. Besides, I'd watched two seasons of the Supergirl TV series, and that's not supposed to be much better.

Very little of this movie takes place on Earth. Supergirl (Milly Alcock), 23-year-old cousin of Superman (David Corenswet), has been vacationing on planets near a red sun, which suspends Kryptonian powers and thus lets her get drunk more easily. The first halfway heroic thing we see her do is defend 13-year-old Ruthye (Eve Ridley) from thieves. Ruthye asks for help avenging her family, murdered by Brigand leader Krem (Matthias Schoenaerts). Supergirl doesn't really care until after Krem poisons her dog, Krypto, while holding the only known antitoxin sample. Even then, she wants Ruthye to step aside. Yeah, right.

Hondo (1953)

I chose this from my YouTube list partly for its short runtime, 84 minutes. Imagine my surprise to see "Intermission" about halfway through. No, there's no several-minute segment for music, much as I like the John Williams-esque scoring.

In an unspecified Old West setting, unhorsed, somewhat notorious soldier Hondo Lane (John Wayne) arrives at a remote homestead to fuel up and buy a horse. He meets Angie Low (Geraldine Page) and her young son, Johnny (Lee Aaker), but not her long-absent and unaccounted-for husband, Ed (Leo Gordon). Hondo warns that local Apaches are gearing up for war on the frontiersmen. Angie feels confident that if a recent treaty doesn't dissuade the Apaches from attacking her, her benevolent past will, but Hondo wisely disagrees. He keeps a close watch, gradually hoping to fill the void Ed left behind.

Michael (2026)

Longtime readers know I'm a sucker for musician biopics, with few exceptions. I was also as much of a Michael Jackson fan as the next tween in the early '90s. For that reason, I decided to see this in an immersive theater while I could.

The story follows Michael from the formation of the Jackson 5 in 1966 (when he's played by Juliano Valdi) to the start of his first solo tour in 1988 (when he's played by Jaafar Jackson, son of Jermaine). His father, Joseph (Colman Domingo), makes for a demanding manager, prone to emotional and sometimes physical abuse; his mother, Katherine (Nia Long), can do little to counter Joseph. The overarching theme is of Michael wishing to do his own thing, with help from attorney John Branca (Miles Teller) and bodyguard Bill Bray (KeiLyn Durrel Jones) among others.

David (2025)

Let's see: a biblical animation with the same distributor as The King of Kings, released in the same year, with the same IMDb rating. But this one's a musical set in the Old Testament without narration. Would it feel more like a spiritual successor to The Prince of Egypt?

The story begins shortly before Bethlehem shepherd David (Brandon Engman, later Phil Wickham) gets anointed by prophet Samuel (Brian Stivale) as a future king and ends when the Israelites formally recognize his kingship. When not contending with the powerful Philistines and creepy Amalekites who hope to enslave his people, his antagonist is King Saul (Adam Michael Gold), who now cares more about holding onto power than following the Lord's guidance.

Jurassic World (2015)

This is the first movie I ever watched after (OK, long after) checking out the Nostalgia Critic's synopsis thereof. He made it sound bad except for two great sequences, ultimately declining to recommend seeing or skipping it, but at least he put it ahead of The Lost World: Jurassic Park. What finally persuaded me? A warning that it would stop streaming on Netflix at the end of the month.

In Costa Rica, a successor to the failed zoo of revived dinosaurs has actually done rather well, but the novelty is wearing off, so the profits don't satisfy stockholders. Operations manager Claire Dearing (Bryce Dallas Howard) and CEO Simon Masrani (Irrfan Khan) give the go-ahead for the team of Dr. Henry Wu (returning BD Wong) to engineer a whole new multispecies specimen, the Indominus rex, projected to be fifty feet tall someday. I hardly need to tell you they've created a monster and not prepared adequately. The clever girl's escape kicks off a whole host of catastrophes, with other big reptiles chipping in.

Bugonia (2025)

Nobody on screen says the title. It's a Greek type of ritual sacrifice once thought to produce bees, which appear sometimes herein for an analogy. That's about the only reason I felt the need to look at the movie's Wikipedia page, because the plot's easy to remember.

Cousins Teddy (Jesse Plemons) and Don (Aidan Delbis) kidnap pharma CEO Michelle (Emma Stone) and hold her in Teddy's house. Teddy is fully convinced that she is a high-ranking alien from the Andromeda Galaxy responsible for the slow ruination of many things for humanity. He demands that Michelle arrange a meeting between him and the Andromedan emperor on the lunar eclipse, which comes four days after the kidnapping. The longer Michelle doesn't do as Teddy bids, the less inclined he is to choose civility over rage. Slightly complicating matters are periodic check-ins by deputy Casey (Stavros Halkias), Teddy's former abusive sitter.

Walking Tall (1973)

I didn't recall hearing about this cult movie when YouTube suggested it, but it got two sequels, a TV series, a TV remake, and a big-screen remake trilogy starring Dwayne Johnson. It also takes inspiration from real events, tho they've since been disputed enough that I won't add my "true story" tag. Indeed, last year, investigators accused the long-deceased protagonist of uxoricide. That would not affect my feelings about the film version.

In 1964, ex-wrestler Buford Pusser (Joe Don Baker) moves back from Chicago to Adamsville, Tennessee, with his wife (Elizabeth Hartman) and kids (Leif Garrett and Dawn Lyn Nervik), planning to work as a logger for his dad (Noah Beery Jr.). His mom (Lurene Tuttle) cryptically warns him to ignore changes in town, but that's not easy when an old buddy (Ed Call) invites him to a casino. He catches the staff cheating, and they beat him within an inch of his life and steal his car. Then he discovers that the sheriff he used to look up to (Gene Evans) is worse than useless and the local judge (Douglas Fowley), while apparently staying within the bounds of the law, is not much better. So much for Buford's promise not to fight anymore....

The Secret Life of Pets (2016)

Yeah, it's been less than a month since my last talking animal cartoon review. This one, despite numerous award nominations and a few minor wins, gets a mostly middling reception. So why did I bother to see it, especially after a decade? Because I was in the mood for something short (86 minutes) and cute.

Max (Louis C.K.), a Jack Russell, basically enjoys life in Manhattan until owner Katie (Ellie Kemper) brings home a large rescue Newfie, Duke (Eric Stonestreet), prompting covetous competition. An outdoor kerfuffle results in both of them losing their collars and getting caught by dogcatchers. Before they can reach the pound, a gang of sewer-dwelling, human-hating abandoned pets busts a member out of the van, and Max and Duke persuade lead rabbit Snowball (Kevin Hart) to take them too. When their overture of rebellion proves false and they accidentally cause the demise of the biggest and nastiest ex-pet while escaping, Snowball becomes determined to hunt them down. As the two dogs seek a way home, Gidget (Jenny Slate as yet another small fluffy white critter), a neighboring Pom with a crush on Max, organizes a search squad of various pets.

Perhaps most useful to the search is antiheroic hawk Tiberius (Albert Brooks), tho he's not as acquainted with Max as most of the others. Chloe the cat (Lake Bell) stands out for pretending not to care as much as she does. Pops the basset (Dana Carvey) may be old and paraplegic, but he knows a few key points. Frequently present if less important are Buddy the dachshund (Hannibal Buress), Mel the pug (Bobby Moynihan), Sweetpea the budgie (Tara Strong), and Norman the lost guinea pig (Illumination Entertainment mainstay Chris Renaud). The gang members are too numerous to list, but I'll mention Tattoo (Michael Beattie), a highly inked pig.

Not exactly an epic tale; most events take place before Katie comes home for the day. It sure doesn't take long for a shared crisis to get Max and Duke to soften toward each other, with only a slight echo of their prior hostility around the start of Act 3. After all, the story tries to be heartwarming when it's not going pure comedy or adventure. Even Snowball is more redeemable than Lulu.

The comedy aspect gets priority. It usually takes the form of pets fulfilling stereotypes, pets defying stereotypes, slapstick, or vulgarity. On the last part, eh, it could be worse. Dont expect much of interest from the humans.

TSLoP is almost exactly what the ads led me to expect. Indeed, it borders on predictable, never trying for innovation. That's not altogether a bad thing when you choose a movie. I probably won't bother with the sequel, but I got what I came for.

The Bad Guys 2 (2025)

Huh, once again, I watch an entry in the series when it's newly streaming on Netflix. The two are almost tied in general reception, with possibly a slight advantage to the sequel. And I was in the mood for a cartoon.

Even if you didn't watch the first movie, you shouldn't have trouble catching up to speed or be surprised that the titular five friends -- Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Miss Tarantula (Awkwafina), Mr. Shark (Craig Robinson), and Mr. Piranha (Anthony Ramos) -- are trying to be good, but their criminal history hurts their job searches. Things get worse when someone frames them for a set of high-profile thefts. The so-called "Phantom Bandit" turns out to be three Bad Girls, who want the quintet's help to steal a rocket. Their leverage: a video that reveals the dark past of Governor Diane Foxington (Zazie Beetz). The Bad Guys reluctantly agree to "one last heist," but will they be tempted back to a life of crime?

Ladyhawke (1985)

Sources told me that this was a cult classic. I fully expected an '80s sword-and-sorcery flick to be cheesy, but when YouTube suggested it, I figured it would at least be different from my other recent viewings.

Medieval peasant and habitual petty thief Phillipe "The Mouse" Gaston (young Matthew Broderick, mischievous as usual) escapes from an Italian dungeon but needs help evading guards ordered by the bishop of Aquila (John Wood) to kill him. Enter Etienne of Navarre (Rutger Hauer), former captain of said guards, who seeks to kill the bishop over a past treachery. Etienne is accompanied by a faithful red-tailed hawk, but by night, Phillipe sees neither of them, only the friendly Isabeau of Anjou (young Michelle Pfeiffer) and a black wolf who attacks only their enemies....

Train Dreams (2025)

Had I realized that this was a Netflix movie, I wouldn't have seen it in a theater. But I'm kinda glad I did, partly because I supported my favorite local theater and partly because a large screen and loud speakers enhance the dramatic experience. We don't usually think about that for mere dramas.

Despite copious narration by Will Patton, I had to look up the Denis Johnson novella to tell when the story begins: the 1910s. It ends in 1968, and I'm not sure how many decades in between are represented. In any case, Robert Grainier (Joel Edgerton) works first as a railroad builder, then as a lumberjack, and eventually as a carriage driver, all in rural Idaho. In trying to make ends meet, he doesn't get to spend as much time with wife Gladys (Felicity Jones) and cute young daughter Kate as they'd all like. And he sees far more deaths than he'd like.

Moonraker (1979)

More than 20 years ago, an online quiz claimed that this was the most promising James Bond flick for me, but others warned me that it was likely to annoy me. Since then, I've found that even unpopular entries can strike a chord with me. When Netflix kept suggesting this one, I finally went for it.

The title refers to a model of space shuttle, one of which gets hijacked en route from California to the UK. Agent 007 (Roger Moore) begins his case by meeting with Hugo Drax (Michael Lonsdale), shady yet publicly trusted owner of the manufacturing company. The plot Bond eventually uncovers is probably the most destructive in the history of the franchise.

Frankenstein (2025)

When I learned that I hadn't seen any of the Academy Best Picture nominees for the year, I chose the first one I could find. Ordinarily, I save arguable horror movies for October. I say "arguable" because Wikipedia characterizes it as "Gothic science fiction drama." That's fair enough.

The movie begins near the end, when 19th-century Danish sailors find a nearly dead Victor Frankenstein (Oscar Isaac) in the Arctic and try to protect him from his raging creation (Jacob Elordi). In the captain's cabin, Victor tells Captain Andersen (Lars Mikkelsen) the first half of the story. Then the creature shows up and takes the narration from there. In the small chance you don't know the gist, Victor stitched together parts from different corpses and brought the gestalt to life but didn't raise him properly, leaving him put upon by society and violently resentful.

Zootopia 2 (2025)

I had been looking forward to this sequel at least as much as I had to Inside Out 2. When I learned that it would feature a good-aligned snake, I grew even eagerer. So I talked my parents into joining me at a theater. (If you go to a family movie in December, expect an obscene number of ads. I finished my candy before the first preview.)

Within a week after the last scene of Zootopia, lapine Officer Judy Hopps (Ginnifer Goodwin) and her new ZPD partner, reformed vulpine hustler Nick Wilde (Jason Bateman), are losing their heroic public image and the support of Chief Bogo (Idris Elba), thanks to Judy's highly irregular, reckless approach to crime fighting and Nick's complementary unserious attitude. It gets worse when they start aiding and abetting Gary De'Snake (Ke Huy Quan), a pit viper who steals a city treasure that he believes holds a secret that will vastly improve life for the marginalized reptiles in Zootopia. Crime boss Milton Lynxley (David Strathairn) wants to keep that secret at any price, and he pressures new mayor Brian Winddancer (Patrick Warburton) into authorizing a deadly hunt for the rogue cops.

Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

I hadn't seen any big-screen TMNT outing since the abortive Teenage Mutant Ninja Turtles III more than 30 years ago. The latest entry got my attention mainly when the first trailer met with very mixed reactions, presumably because it emphasized the teenage aspect at the expense of coolness. Nonetheless, reviews of the actual movie have been positive overall, and I was willing to take a chance on an alternate version for a new generation.

After rogue scientist Baxter Stockman (Giancarlo Esposito) accidentally spills mutagenic ooze into a New York sewer, four anthro-reptilian brothers spend their first 15 years enjoying human culture in secret, albeit not as stealthily as adoptive anthro-rat Splinter (Jackie Chan) would like. When they unwittingly cause aspiring high school journalist April O'Neil (Ayo Edebiri) to lose her moped to a thief, they finally use their ninja training for good and gain a human ally. She and they both want to gain popularity by foiling serial robber Superfly (Ice Cube), but that gets complicated when they discover that he and his closest minions are fellow mutants out to create more mutants. Can the turtles hope to take them on? Do they even want to fight their likeliest comrades to protect humans, some of whom, under a shady project leader (Maya Rudolph), have nasty plans for the turtles?

28 Days Later (2002)

The series got a threequel this year, so I thought I'd finally give the original a go. Had I known that Danny Boyle was directing, I'd've braced for more grossness, but whew, there's no excrement scene herein.

Animal rights zealots release a chimp from a lab, ignoring a warning that it's "infected with rage." After the titular period, courier Jim (Cillian Murphy, younger than I'd ever seen before) awakens from a coma induced by a bicycle accident to find that the hospital and, indeed, London are almost completely abandoned. The first people he meets have the rage plague, but holdouts Selena (Naomie Harris) and Mark (Noah Huntley) rescue him. Later connections include Frank (Brendan Gleeson) and his teen daughter, Hannah (Megan Burns), who relay a report of a military outpost. It exists, but whether it's the salvation they need is another question.

The Black Cauldron (1985)

When I read Lloyd Alexander's The Book of Three, it didn't make me want to read the immediate sequel by this title. And by all accounts, the adaptation from both novels was one of the worst Disney animations. Nevertheless, I got curious to judge for myself. Besides, I wanted to break up my October viewings with something gothic yet ostensibly family-friendly.

Adolescent Taran (Grant Bardsley) longs to be a warrior but must settle for assisting old Dallben (Freddie Jones) in the care of spoiled pig Hen Wen. The job gets less boring when Hen Wen panics over a prophetic vision, readable by means of water and magic. The ancient undead Horned King (John Hurt) has learned of Hen Wen and sent minions to coerce her to reveal the location of a legendary cauldron that can reanimate his skeletal army, enabling world domination. Taran tries to take the pig where she won't be found, but it wouldn't be much of a story if he succeeded.