Mirage (2018)

No, not a remake of the 1965 noir. I hadn't heard of this Spanish movie, whose native title is Durante la tormenta ("During the storm"), until I browsed Netflix for something chilling. OK, most sources don't count this as horror, and some don't even call it a thriller, but it certainly involves paranormal phenomena and high-running emotions.

In 2014, in her new house, thirty-something Vera watches a videotape made by a prior resident, preteen Nico, shortly before his accidental death in 1989. An extraordinary thunderstorm at both times allows them to see and hear each other. Vera warns Nico not to make a fatal mistake. Then she discovers a bunch of local changes, most distressingly that she never got together with her would-be husband, David. Nobody else remembers the other timeline, but she hopes to find out what became of Nico and somehow restore what she lost, before the three-day storm ends.

Maquia: When the Promised Flower Blooms (2018)

It had been surprisingly long since my last anime movie that was unambiguously a fantasy. All I knew about this one was the cover image, but it seemed promising as a departure from my latest viewings.

In what I'd call a flintlock fantasy, Maquia belongs to a human(oid?) race called the Iorph, who stop physically aging in adolescence. They live in a secluded utopia until an invasion by the Mezarte kingdom, bent on learning how to replicate their longevity. In the commotion, Maquia, then age 15, rides a Renato (read: six-eyed wyvern) and ends up far away. She discovers and adopts a newborn orphaned boy, whom she dubs Ariel. Over the course of decades, she must find her place with regard to Mezarte society, the surviving Iorph, and Ariel.

Get the Gringo (2012)

I think this is the first movie I've seen with Mel Gibson in an acting role to have come out after 2000. Certainly the first after his two notorious scandals of the 2000s. I'm not sure what prompted me to save it to my YouTube watch list, but I know the main reason I chose it: a short runtime.

A robber (Gibson) tries to escape the police by crossing the border, only to get caught by corrupt Mexican cops. Keeping his loot for themselves, they send him to an unorthodox prison that's basically a walled-off, crime-ridden village, complete with families and a rich-poor gap. Not an easy place for an American to survive, but as a former U.S. Army sniper, he has skills to draw the attention of the de facto leaders....

I Swear (2025)

I became aware of this only in connection with a public catastrophe. I assumed a documentary, but it's a biopic. When it came to Netflix, I leapt at it for education's sake.

In a Scottish town in 1983, preteen John Davidson (Scott Ellis Watson) develops frequent shouts and spasms, some of which qualify as assaults. Everyone else assumes he's just being a jerk, but he insists it's involuntary. Sure enough, he goes on to be diagnosed with acute Tourette syndrome. In young adulthood (now played by Robert Aramayo), he decides to leave the home of his mother, Heather (Shirley Henderson), and live with Dottie (Maxine Peake), the ailing mother of his old school friend, Murray (Francesco Piacentini-Smith). Heather objects, but John notes that Dottie is both more tolerant and more experienced with mental patients. In middle age, he becomes the face of Tourette's awareness.

Nightcrawler (2014)

If this were about the beloved X-Man, I would have seen it in a theater. If it were about an earthworm, I might still have seen it earlier. But for all its popularity, I must not have liked what I'd gleaned about it, or I would have put it on my Netflix list. Instead, it was the first halfway-promising result I hadn't watched when I browsed on another account.

Lou Bloom (Jake Gyllenhaal) has been a sometimes violent sneak thief, but he wants a more legitimate job. At the scene of a car crash, he decides to make videos of newsworthy nighttime incidents and sell them to a struggling L.A. news station. He gets too close for the comfort of emergency personnel, but morning news director Nina Romina (Rene Russo) craves such sensational footage. Lou enlists desperate intern Rick (Riz Ahmed) to help navigate to addresses mentioned on scanned police radio signals. In his business ambitions, Lou has so little regard for laws and ethics that he might have done less damage as a thief.

Beasts of No Nation (2015)

For all its plaudits, this bombed at the box office. Some theaters declined to play it because it also went straight to Netflix streaming. Plus, I suspect that many prospective viewers were reluctant to watch such a dark story in an immersive environment with no pause option. Well, there's no better time for me to check out something bleak than right after a fun flick.

The film was shot in Ghana, with some lines in Krio and Twi, but honors its title by not specifying where in West Africa it's set. The decade is hard to guess too. Amid a civil war, prepubescent boy Agu (Abraham Attah) gets separated from some of his relatives and witnesses the killing of the rest. He runs into a rebel battalion, whose unnamed Commandant (Idris Elba) recruits him with an almost fatherly approach. That's not much if any better than wandering the wilderness alone....

Locke (2013)

I don't recall adding this to my Netflix queue or even learning about it before. Google classifies it as "Thriller/Crime," but it's neither. I chose it last night partly for looking different from other recent viewings and partly for its 84-minute runtime.

Birmingham foreman Ivan Locke (Tom Hardy) has had an affair with colleague Bethan Maguire (Olivia Colman). She got pregnant and decided not to abort. On the night before Ivan's supposed to supervise an epic construction project, Bethan goes into labor. Since she has no family or friends available, Ivan agrees to drive a couple hours to the London hospital, making car phone calls to trainee Donal (Andrew Scott), boss Gareth (Ben Daniels), and wife Katrina (Ruth Wilson). Nobody is happy with his decision except Bethan, and she's stressed enough that he's not already there.

100 Meters (2025)

I continue my incidental pattern since April 2025 of watching at least one animated movie per month. This one's my first anime since October, and it continues another incidental pattern: animes that are neither fantasy nor sci-fi. Considering how I used to think that all anime was too weird, I can't complain.

The most focal character herein is Togashi, at three points in his life: sixth grade, high school, and ten years after. In each chapter, he's an excellent sprinter, but his attitude toward the sport isn't stable. Sometimes he thinks it'll solve all his problems, sometimes he loses interest, and sometimes he falls to pieces over an inability to stay on top.

Jurassic World (2015)

This is the first movie I ever watched after (OK, long after) checking out the Nostalgia Critic's synopsis thereof. He made it sound bad except for two great sequences, ultimately declining to recommend seeing or skipping it, but at least he put it ahead of The Lost World: Jurassic Park. What finally persuaded me? A warning that it would stop streaming on Netflix at the end of the month.

In Costa Rica, a successor to the failed zoo of revived dinosaurs has actually done rather well, but the novelty is wearing off, so the profits don't satisfy stockholders. Operations manager Claire Dearing (Bryce Dallas Howard) and CEO Simon Masrani (Irrfan Khan) give the go-ahead for the team of Dr. Henry Wu (returning BD Wong) to engineer a whole new multispecies specimen, the Indominus rex, projected to be fifty feet tall someday. I hardly need to tell you they've created a monster and not prepared adequately. The clever girl's escape kicks off a whole host of catastrophes, with other big reptiles chipping in.

The Secret Life of Pets (2016)

Yeah, it's been less than a month since my last talking animal cartoon review. This one, despite numerous award nominations and a few minor wins, gets a mostly middling reception. So why did I bother to see it, especially after a decade? Because I was in the mood for something short (86 minutes) and cute.

Max (Louis C.K.), a Jack Russell, basically enjoys life in Manhattan until owner Katie (Ellie Kemper) brings home a large rescue Newfie, Duke (Eric Stonestreet), prompting covetous competition. An outdoor kerfuffle results in both of them losing their collars and getting caught by dogcatchers. Before they can reach the pound, a gang of sewer-dwelling, human-hating abandoned pets busts a member out of the van, and Max and Duke persuade lead rabbit Snowball (Kevin Hart) to take them too. When their overture of rebellion proves false and they accidentally cause the demise of the biggest and nastiest ex-pet while escaping, Snowball becomes determined to hunt them down. As the two dogs seek a way home, Gidget (Jenny Slate as yet another small fluffy white critter), a neighboring Pom with a crush on Max, organizes a search squad of various pets.

Perhaps most useful to the search is antiheroic hawk Tiberius (Albert Brooks), tho he's not as acquainted with Max as most of the others. Chloe the cat (Lake Bell) stands out for pretending not to care as much as she does. Pops the basset (Dana Carvey) may be old and paraplegic, but he knows a few key points. Frequently present if less important are Buddy the dachshund (Hannibal Buress), Mel the pug (Bobby Moynihan), Sweetpea the budgie (Tara Strong), and Norman the lost guinea pig (Illumination Entertainment mainstay Chris Renaud). The gang members are too numerous to list, but I'll mention Tattoo (Michael Beattie), a highly inked pig.

Not exactly an epic tale; most events take place before Katie comes home for the day. It sure doesn't take long for a shared crisis to get Max and Duke to soften toward each other, with only a slight echo of their prior hostility around the start of Act 3. After all, the story tries to be heartwarming when it's not going pure comedy or adventure. Even Snowball is more redeemable than Lulu.

The comedy aspect gets priority. It usually takes the form of pets fulfilling stereotypes, pets defying stereotypes, slapstick, or vulgarity. On the last part, eh, it could be worse. Dont expect much of interest from the humans.

TSLoP is almost exactly what the ads led me to expect. Indeed, it borders on predictable, never trying for innovation. That's not altogether a bad thing when you choose a movie. I probably won't bother with the sequel, but I got what I came for.

The Hobbit: The Battle of the Five Armies (2014)

Man, I'd last seen a Hobbit movie before I started this blog more than a decade ago. The threequel was reputed to be the weakest link in a pale imitation of The Lord of the Rings, hence my lack of hurry to see it. Nonetheless, it looked like the most promising DVD I hadn't watched in my local library, having better ratings from general audiences than from critics.

The Desolation of Smaug ends with halfling Bilbo Baggins (Martin Freeman) accidentally inspiring the titular event. Not long into TBotFA, human archer Bard (Luke Evans) slays the rampaging Smaug (Benedict Cumberbatch), but that's not the end of the dragon's evil influence. One of Bilbo's dwarven companions, King Thorin (Richard Armitage), finds Smaug's trove almost as corruptive as the One Ring and refuses to share any of it with the humans of newly burned Lake-town, despite his prior oath and their obvious need. When elven King Thranduil (Lee Pace) comes with an army to claim a family treasure, Thorin is undaunted, and the other dwarves obediently prepare to fight. Perhaps fortunately, before the first casualty, the arrival of two armies of darkness induces the other three to team up.

20th Century Women (2016)

I felt I'd seen enough comedies or semi-comedies in a row. This movie looked suitably serious, not least with A24 distribution. Turns out it's a dramedy. Oh well, I hardly noticed.

Apart from brief flashbacks and flash-forwards, the setting is 1979 Santa Barbara. Dorothea (Annette Bening), 55, feels inadequate as the single mom of Jamie (Lucas Jade Zumann), 15, and doesn't count on middle-aged tenant and potential boyfriend William (Billy Crudup) to supplement her efforts. She asks her other unrelated tenant, 24-year-old Abbie (Greta Gerwig), and Jamie's closest female friend, 17-year-old Julie (Elle Fanning), to help him grow up healthily. But Jamie's not keen on this arrangement, and the ladies have conflicting ideas of how to go about it.

Deepwater Horizon (2016)

Wow, it's been that long already? ...Since the depicted incident, I mean. I don't recall the screen adaptation from an article being advertised when new, which may explain the poor box office performance despite rave reviews and award wins and nods. Regardless, I got curious to learn more.

In 2010, technician Mike Williams (Mark Wahlberg) says goodbye to wife Felicia (Kate Hudson) and starts work on the titular oil rig off the Louisiana coast. He and manager Jimmy Harrell (Kurt Russell) soon discover lots of problems, such as a nonfunctional phone system, and persuade the visiting stingy BP managers, Donald Vidrine (John Malkovich) and Robert Kaluza (Brad Leland), to approve more testing. The real trouble begins with a cement bond failure....

Ip Man 2 (2010)

Either I watched the first Ip Man before I launched this blog, or I was too unenthused to write a review. I certainly don't remember much of it. Just know that it's an action flick about an RL grandmaster of the Wing Chun style of kung fu, often called Yip rather than Ip even on screen, perhaps best known for teaching Bruce Lee. From what I can tell, the story bears little resemblance to his actual life, and I imagine that the sequels hew no closer.

In 1950, Ip (Donnie Yen) opens a Wing Chun school in Hong Kong. He has no students until young hoodlum Wong Shun Leung (Huang Xiaoming) challenges him and the word spreads of how awesome Ip is. Alas, they develop a fierce rivalry with thugs from the Hung Ga school under Hung Chun-nam (Sammo Hung), who runs a protection racket for martial arts trainers. By the second half, the main villain appears to be dirty Superintendent Wallace (Charles Mayer), who shakes down Hung, bullies journalists who print unflattering truths, and pulls strings for British boxer Taylor "Twister" Miller (Darren Shahlavi) to take on Chinese opponents and assert ethnic superiority. You can guess who the last one will be.

Pitch Perfect (2012)

Boy, it's been more than a decade since I saw the first sequel. I don't remember when I put the predecessor on my Netflix list; I may have ignored it many times. But I was finally in the mood for a flick with a lot of decent singing, regardless of any other virtues.

After a disastrous performance at the International Championship of Collegiate A Cappella, the all-female Barden Bellas are down to Aubrey (Anna Camp) and Chloe (Brittany Snow). They can't be too picky, so the new recruits are a motley crew. Some get kicked out for intimacy with the Bellas' fiercest on-campus rivals, the all-male Treblemakers. The main internal conflict concerns Beca (Anna Kendrick), who has a habit of pushing people away but does great at mashups, which hidebound, bossy Aubrey rejects.

The Maze Runner (2014)

Yes, one more dystopia for the year. It stops streaming on Netflix January 8, and I didn't want to forget. Besides, there's some advantage to watching while my memory of a certain other is still pretty fresh.

Once a month, an initially unidentified organization sends a new amnesiac teen, along with a few supplies, to a walled-off Glade with other such teens. Part of the wall opens each dawn to reveal a mechanized labyrinth, and designated "Runners" will explore and map it, hoping to find an exit. They have to return before the wall closes at dusk, because no one has ever lasted a night in the maze without getting stung by a cyborg monster called a Griever. If it doesn't kill you outright, its venom makes you too aggressively insane to retain your welcome in the Glade.

Protagonist Thomas (Dylan O'Brien) is the latest arrival, about three years into the maze's existence, so the population is a couple dozen. Within a few days, his curiosity has him breaking the teen society's rules and succeeding where no one else has. Not everyone appreciates this, especially Gally (Will Poulter), one of the leaders, who fears how the maze will respond. Indeed, it does start doing things differently, upping the difficulty level....

The Hunger Games (2012)

After all the post-apocalyptic horror movies I watched in October, I thought it'd be a while before I tried another dystopia. But when YouTube suggested this one to me, I thought it was a pretty big hole in my cultural education. Besides, at least the dystopia is legalistic and orderly for a change.

In the future nation of Panem, an annual televised competition has two 12- to 18-year-olds from each of 12 districts live in a rigged woodland until only one survives, with an expectation that some deaths will be at each other's hands. They're usually drafted by lottery, having greater odds of being picked the more they accept government rations, but Katniss Everdeen (Jennifer Lawrence), 16, volunteers to replace her younger sister (Willow Shields). The other "tribute" from her district is her friend Peeta Mellark (Josh Hutcherson), who has wanted to be more than a friend to her, but the rules have erased his hope. Katniss, however, does not adopt a loner attitude....

I'm Still Here (2024)

Not to be confused with the 2010 Joaquin Phoenix flick of the same title. I've been dragging my heels about watching the latest Academy Best Picture nominees, because few of them look like my type. I finally decided to go ahead with another when it came up on Netflix, not knowing much about it.

In 1970, military-run Brazil faces a lot of unrest. The Paiva family in Rio de Janeiro gets a taste of it when officers thoroughly search motorists for suspects. More importantly, Rubens Paiva (Selton Mello) has been supporting expats, which his wife, Eunice (Fernanda Torres), and their five kids don't seem to know -- until plainclothesmen arrest him. Asking about him yields incomplete answers at best and follow-up punishment at worst.

Number 24 (2024)

I picked the first war epic I could find for Veterans Day. Not much has been written about it yet, because it's a Norwegian indie with limited screening, but it gets a warm reception among viewers.

In old age, Gunnar Sønsteby guest-lectures a class about his life from shortly before World War II to the end of it, during part of which he was Agent #24 of Britain's Special Operations Executive. In particular, he coordinated the Oslo Gang, which specialized in sabotaging German occupation projects, usually with explosives, but expanded to assassinations.

The Book of Eli (2010)

As I worried about not having enough creepy movies for the month, I happened to find this DVD on a giveaway shelf. Sure, the movie's not a horror or thriller, and even "sci-fi" would be a stretch despite the future setting, but it certainly depicts a world we would not prefer to the present.

Nobody says directly, but evidence suggests that the ruins across America are due to nuclear war. It must have been religious in nature, because people subsequently destroyed every Abrahamic tract they could find. After 31 years, some regret that decision, even if literacy has become as scarce as soap or fresh water. Loner Eli (Denzel Washington) has found the only copy of the KJV to his knowledge, and he believes that a voice has told him to take it westward, where it will be duly appreciated. Gang leader/de facto mayor Bill Carnegie (Gary Oldman) will stop at nothing to get his hands on it, up to and including threatening his mistress's daughter, Solara (Mila Kunis), who wants to run away with Eli.