Spider-Man: Brand New Day (2026)

This is the third time I've seen a Spider-Man movie at an out-of-the-way theater at a friend's invitation. As much as I've enjoyed the Tom Holland entries, the ads didn't make me eager to watch more after nearly five years. Little did I know how much others loved the trailer and, so far, the flick itself.

Peter "Spider-Man" Parker (Holland) is certainly more of a man now, living alone, albeit with no apparent job, and making short work of most New York villains. He's also becoming more of a spider, as his fused DNA asserts itself, heightening his senses, letting him shoot webs organically like the Tobey Maguire version, and making him more brutal under stress like a lesser Hulk (Mark Ruffalo), whose alter ego he visits for advice. Amid this identity crisis, he must contend with a foe (Sadie Sink) who gives other people identity crises by temporarily possessing them. The mystery mind-hopper is intent on infiltrating U.S. Department of Damage Control headquarters, which houses so many sensitive, potentially scandalous secrets that its director (Tramell Tillman) can hardly guess which is being targeted.

The Odyssey (2026)

Around the same time that I read Homer's epic, I saw the 1997 miniseries thereof, which didn't blow me away but helped cement a few memories. Not enough that some parts didn't feel new again, as I would discover. If nothing else, I could count on director Christopher Nolan to make it his own, even without Cillian Murphy or a male character mourning a dead wife or girlfriend.

Royalty has a somewhat different meaning in ancient Greece, where King Odysseus of Ithaca (Matt Damon) sees no choice but to fight in the Trojan War himself, shortly after the birth of his son, Telemachus. His side wins, but the return journey is fraught with episodes of supernatural peril, keeping him and his troops away much longer than other veterans. Queen Penelope (Anne Hathaway) holds out hope despite a widespread assumption of Odysseus's death, which leads to dozens of suitors taking up residence at the palace. She can't dismiss them without breaking the oft-cited Zeus's Law (i.e., show hospitality in case a guest is a disguised god). By young adulthood, Telemachus (Tom Holland) is thinking of ascending the throne, but the suitors, unofficially led by Antinous (Robert Pattinson), conspire to kill him first.

Spider-Man: No Way Home (2021)

Yeah, that's two consecutive theater viewings of Marvel Cinematic Universe movies. And sadly, I've had only a dozen theater viewings in the nearly 2.5 years since the last Spider-Man movie. But a friend had an extra ticket and invited me mere hours in advance, so how could I put this off?

The action begins right where Far from Home leaves off: Mysterio (Jake Gyllenhaal) has posthumously outed Peter Parker (Tom Holland) as Spider-Man -- and framed him for Mysterio's crimes and death. There is not enough evidence for a trial, but the public is divided on whom to believe. The bad publicity causes trouble for Peter's friend Ned (Jacob Batalon) and tentative girlfriend MJ (Zendaya) by association. Peter asks Dr. Strange (Benedict Cumberbatch) to cast a widespread amnesia spell, but by belatedly requesting exceptions, he distracts Strange to the point that the spell becomes too dangerous and Strange traps the workings in a container -- too late for it to have no effect whatsoever. Not only will everyone remember, but people from alternate universes who know Spider-Man's identity cross over, including five villains from the first two Spider-Man silver-screen series: the Green Goblin (Willem Dafoe), Dr. Octopus (Alfred Molina), the Sandman (Thomas Haden Church), the Lizard (Rhys Ifans), and Electro (Jamie Foxx). Guess it would've been tough to fit the rest in.

Onward (2020)

This was probably the only movie I had been planning to see in a theater until the shutdown. I have since consoled myself by recalling how family fare tends to draw noisy kids.

The setting is populated entirely with the folk and fauna of European myths and legends, but the diverse civilization's modern technology has supplanted traditional wizardry, and the thirst for quests has given way to more secure living. On his 16th birthday, suburban elf Ian (Tom Holland) receives a posthumous set of gifts from his father, who died of an unspecified illness before they could meet: a staff, a phoenix gem, and instructions to cast a spell to let Dad materialize for 24 hours. Ian does turn out to possess an innate magical aptitude that his college-age brother, Barley (Chris Pratt), lacks, but something goes wrong with the spell, and only Dad's clad lower half appears, showing signs of intelligence but sensing the world only by touch. Unsatisfied, the brothers drive off with their leashed half-dad to hunt for a second phoenix gem before the next sunset, Ian half-trusting Barley's knowledge from a history-inspired role-playing game to have sufficient basis in their reality.

Spider-Man: Far from Home (2019)

Huh. I hadn't realized going in that Disney had no production or distribution claim on this movie. Or on Spider-Man: Homecoming, whose tags I've since corrected. Better be careful with these things. Regardless, the first entry in the Marvel Cinematic Universe to follow Avengers: Endgame does retain continuity, being set some eight months later.

Peter Parker (Tom Holland), still in high school, goes on a class trip to various European nations. With its inadequate planning, this would be a pretty lame vacation if not for Peter secretly being Spider-Man and thus a fated danger magnet. In this case, the danger takes the shape of rampaging elemental giants, which Spidey takes on with help from a new super stranger (Jake Gyllenhaal), aptly nicknamed Mysterio. He may be reminiscent of both Iron Man and Dr. Strange, but many Marvel fans already know him better than that....