Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

I hadn't seen any big-screen TMNT outing since the abortive Teenage Mutant Ninja Turtles III more than 30 years ago. The latest entry got my attention mainly when the first trailer met with very mixed reactions, presumably because it emphasized the teenage aspect at the expense of coolness. Nonetheless, reviews of the actual movie have been positive overall, and I was willing to take a chance on an alternate version for a new generation.

After rogue scientist Baxter Stockman (Giancarlo Esposito) accidentally spills mutagenic ooze into a New York sewer, four anthro-reptilian brothers spend their first 15 years enjoying human culture in secret, albeit not as stealthily as adoptive anthro-rat Splinter (Jackie Chan) would like. When they unwittingly cause aspiring high school journalist April O'Neil (Ayo Edebiri) to lose her moped to a thief, they finally use their ninja training for good and gain a human ally. She and they both want to gain popularity by foiling serial robber Superfly (Ice Cube), but that gets complicated when they discover that he and his closest minions are fellow mutants out to create more mutants. Can the turtles hope to take them on? Do they even want to fight their likeliest comrades to protect humans, some of whom, under a shady project leader (Maya Rudolph), have nasty plans for the turtles?

Superman (2025)

The reason I waited this long to watch was that the friend I wanted to accompany was busy. It was no longer in a nearby theater, so we streamed it. On the plus side, that let us pause as needed during the 129 minutes. I wasn't entirely sure we'd like it anyway; its reception has been mostly positive, but I knew of some complaints.

Little did I suspect that the previews starting with a badly wounded Superman (David Corenswet) reflected the actual start of the movie, in medias res. Lex Luthor (Nicholas Hoult) has quite a few minions in play, including engineers and, well, the Engineer (María Gabriela de Faría), whose bodily nanomachines allow versatile abilities. Behind the scenes, Lex has been fomenting a war between two fictitious nations -- the invasive Boravia, led by Vasil Ghurko (Zlatko Burić), and poor Jarhanpur -- both to enrich himself selling weapons and to lure the Last Son of Krypton into making controversial interventions. But the general public doesn't turn against Earth's mightiest hero until Lex's discovery of a shocking message from the Kryptonian parents (Bradley Cooper and Angela Sarafyan)....

Barbie (2023)

I was reluctant to try something so polarizing. If nothing else, I figured that seeing the largest amount of pink outside of a nudist community would sicken me. But on a tiny airplane-back screen, that's not so risky.

Here we see Barbieland, home to live humanoids who mostly go by "Barbie" and "Ken," come into existence as Mattel makes their corresponding doll models, and change based on how the dolls are played with. The focal characters are Stereotypical Barbie (Margot Robbie) and Beach Ken (Ryan Gosling), whom I'll call SB and BK for simplicity. SB starts to develop realistic flaws nearly unheard of in Barbieland, so she travels to real-world L.A., where Mattel is headquartered, in search of a solution. BK tags along and discovers that Barbieland could become a lot more fun for the men -- at the cost of the women. He returns before SB does....

The Suicide Squad (2021)

Given the underwhelming performances of Suicide Squad (2016) and Birds of Prey (2020), I figured that this would be OK at best. I took more interest in it after seeing an episode of the ensuing TV series, Peacemaker. Then I learned that this was the kind of sequel that makes very few allusions to past events, so I wouldn't feel too left out.

The title refers to a ragtag bunch of talented convicts who have opted to do ostensibly heroic black ops in exchange for lighter sentences, albeit with the threat of remote execution if they don't follow orders (no actual suicides herein). Their current mission: Sneak onto the island of Corto Maltese and wreck the lab of a powerful secret project before the new tinpot dictator (Juan Diego Botto) can use it against the U.S. Don't get too attached to the first several squad members we see, because most don't make it past the beach. Fortunately, the B team hasn't been intercepted yet....

Ferdinand (2017)

Blue Sky Studios, once said to be #3 among CG movie studios, shut down for good today. I was not aware of this scheduled event or the company's 2019 purchase by Disney when I chose to watch its penultimate production yesterday. I just thought it was one of the more promising Academy nominees for Best Animated Feature that I hadn't seen yet. Its basis in a classic children's book I hadn't read tempted me too.

As a calf, Ferdinand lives on a Spanish ranch that raises bulls specifically for the lethal kind of bullfight. Not only does he not like the prospect of getting stabbed to death; he doesn't like fighting at all. He escapes to a farm, where a loving girl and her father take such good care of him that he grows especially big in adulthood (and is then voiced by John Cena). Alas, he's not smart enough to keep out of town, where his oafishness is widely mistaken for berserkness, so he gets taken back to his old haunts, now with a good chance of being picked to face El Primero (Miguel Ángel Silvestre), a matador who's no Manolo.